{ "store": "Fabric Shop Company", "website": "https://fabricshop.irish", "currency": "EUR", "count": 18, "products": [ { "id": "faux-sheepskin-fur-fabric-squares-4-piece", "sku": "faux-sheepskin-fur-fabric-squares-4-piece", "title": "Mixed Colour Faux Sheepskin Fur Fabric 4-Piece Pack", "slug": "faux-sheepskin-fur-fabric-squares-4-piece", "price": 53.99, "currency": "EUR", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "300 g", "images": [ "https://fabricshop.irish/dropship-images/craft-fabrics/faux-sheepskin-fur-fabric-squares-4-piece/main-faux-sheepskin-fur-fabric-squares-4-piece.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/faux-sheepskin-fur-fabric-squares-4-piece/faux-sheepskin-fur-fabric-squares-4-piece-2.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/faux-sheepskin-fur-fabric-squares-4-piece/faux-sheepskin-fur-fabric-squares-4-piece-4.jpg" ], "description_short": "Four mixed-colour pieces give you separate panels for craft details, patchwork and small fabric projects.", "description": "When a little texture is all your project needs\n\nA small sewing project can need only a little fur fabric. Perhaps you want a textured panel, a soft decorative detail or contrasting patches. Buying a continuous length may not fit that plan, especially when you would rather work with several colours.\n\nThis bundle contains four separate faux fur pieces in mixed colours. Each piece measures approximately 50 x 40 cm. It is a format to consider when your pattern parts are small, or when visible joins are part of the design.\n\nThe key is to choose by the shape of your project, not just by the appearance of the fabric. Four pieces offer different possibilities from one large sheet. A little planning helps you see whether those possibilities match what you want to make.\n\nUnderstand the piece size before you buy\n\nAlthough the phrase craft fur squares is often used for this type of product, the stated pieces here are rectangles. Each is approximately 50 cm by 40 cm.\n\nDraw that rectangle on paper and place your pattern parts inside it. Include seam allowances, folded edges and any extra fabric needed for attaching the panel. A finished shape that measures 50 x 40 cm will not leave room for those allowances.\n\nAlso think about the direction of the fur. Turning a pattern sideways may help it fit, but it can change how the surface looks. You may prefer the pile to run in a consistent direction across adjoining sections.\n\nIf your main pattern part is too large, decide whether a seam would look intentional. If it would interrupt the design, a larger continuous piece may be the more suitable choice.\n\nWhat the fabric details tell you\n\nThis is faux sheepskin fabric, not real sheepskin. The product details list polyester and describe the texture as soft. The appearance is animal-inspired, with an imitation fur surface.\n\nThose facts give a starting point, but they do not answer every fabric question. Pile length, backing construction and stretch are not stated. There is no basis for treating it as a stretch fabric or assuming a particular thickness.\n\nThat matters when you compare polyester craft fabric for different jobs. A decorative patch may ask little of the backing. A fitted piece or a heavily handled item may depend on details that the maker's description does not provide.\n\nChoose it for the features that are stated. If your project needs a precise pile height, a certain stretch percentage or a tested performance standard, ask for that information before ordering.\n\nWork with a mixed palette\n\nMixed colour fur fabric can be useful when contrast is welcome. You might give each panel a different role or repeat small patches across a design. The separate pieces encourage you to think in sections rather than one broad surface.\n\nThe exact shades are not specified. Photographs also cannot promise a precise colour match, because lighting and screen settings affect what you see. Avoid planning around a shade that must match an existing item exactly.\n\nInstead, build some choice into the project. Wait until the fabric arrives before selecting thread, trim or a neighbouring fabric, where possible. Lay everything out together in the light where the finished item will usually be seen.\n\nIf colour matching is the main reason for your purchase, pause before ordering. A mixed bundle is a different proposition from a named, repeatable colour.\n\nChoose projects that suit separate pieces\n\nSmall decorative projects are the clearest starting point for this format. Think of accents, patchwork sections and surface details rather than a large unbroken cover. The pieces can also be considered for fabric for costume details, subject to the requirements of the finished costume.\n\nA paper mock-up is helpful. It lets you check the size and position of a fur detail without cutting the fabric. Pin or place the paper shape against the main project and see whether the scale feels right.\n\nFaux fur patchwork is another option where seams are expected. In that case, the joins become part of the layout instead of something you must hide. Plan their position before cutting.\n\nFor toys, pet items or other uses with specific safety demands, do not infer suitability from softness. No relevant safety certification is supplied here. The finished item needs to meet the requirements of its intended use.\n\nPlan your layout before the first cut\n\nWhen the bundle arrives, start by checking all four pieces. Measure them individually and look at the colour, reverse side and direction of the pile. Do this while the fabric is still uncut and unused.\n\nArrange your paper patterns over the pieces before marking anything. Leave space between parts so you can cut with control. Keep larger usable areas together rather than placing a tiny detail in the centre of a panel.\n\nPhotograph the layout if it helps you remember which piece goes where. This is especially useful when several similar shapes need different colours. A simple label on each paper pattern can prevent confusion later.\n\nSave a small area for a test seam and cleaning trial. Testing uses some fabric, but it can help avoid a larger mistake. Include that allowance in your layout rather than relying on whatever happens to remain.\n\nTake care with cutting and sewing\n\nFaux fur sewing projects benefit from a patient start. Mark on the reverse where practical and test your cutting method on an offcut. Work slowly so you can control the edge without cutting more of the pile than necessary.\n\nThere is no specified needle, stitch length or machine setting for this bundle. Your machine, thread and seam design all affect the result. Try a small seam first and inspect both sides before moving to the main pieces.\n\nCheck whether the seam lies as you expect. Look for caught pile and any unwanted bulk at the join. If the result needs adjustment, it is easier to change your method on a test piece.\n\nKeep the work area clear enough to see the cutting line. Put unused pieces aside rather than stacking them beside the scissors. Small habits like these help preserve the fabric you still need.\n\nThink through joins and finished size\n\nJoining pieces is possible as a project approach, but a join uses fabric. The finished panel will be smaller than the combined outer measurements of the unsewn pieces. The amount depends on your seam allowance and layout.\n\nSketch the seam positions before you begin. Consider how the mixed colours will meet and whether the pile will run the same way. Neither choice is automatically right, but it should be deliberate.\n\nFor a decorative design, a contrast seam may be welcome. For a project meant to look like one continuous surface, the same seam may be distracting. Be honest about that difference before buying.\n\nDo not assume that four pieces can replace a large sheet in every pattern. Sometimes changing the design works well. Sometimes choosing another format saves time and avoids an awkward compromise.\n\nCheck care needs early\n\nThe care description says easy care, but it gives no washing temperature, drying method or ironing setting. That is not enough information to promise machine washing or tumble drying.\n\nCheck any care label supplied with the fabric. If a cleaning method remains uncertain, test an offcut before treating the finished project. Watch for changes to the texture, colour and backing.\n\nAvoid direct heat until suitable settings are confirmed. This includes pressing during construction, not just cleaning after use. A project that requires frequent hot pressing may need a different fabric or clearer care guidance.\n\nStore spare pieces clean and dry. Keep them away from sharp tools and avoid putting heavy objects on top. Retain useful offcuts for later tests or small repairs to your own project.\n\nBuying for yourself or as a gift\n\nA fur fabric bundle may appeal to someone who likes experimenting with texture. Four mixed-colour pieces leave room for several small ideas without committing the whole pack to one design.\n\nFor a gift, think about the recipient's habits. Someone who enjoys patchwork or decorative sewing may welcome varied pieces. Someone following an exact pattern may need a specific colour and a continuous length instead.\n\nFor your own purchase, check the same points. Delivery timing is not specified by the maker, so check the current estimate before ordering for a deadline.\n\nThe short version\n\nThis pack offers four soft polyester faux fur pieces in mixed colours, each approximately 50 x 40 cm. It suits plans built around smaller panels or designs where joins are acceptable.\n\nMeasure your pattern first, allow for seams and keep colour expectations flexible. On arrival, inspect the fabric before cutting or washing it.\n\nIf it does not suit, returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. Change-of-mind return postage is paid by the customer. Faulty or wrongly described goods are put right free of charge.", "llm_summary": "This pack contains four pieces of faux sheepskin fur fabric in mixed colours. Each piece is described as approximately 50 x 40 cm, with slight size variation possible. The fabric is listed as polyester with a soft texture, a plain weave and an animal-inspired appearance. The listed item weight is 300 g. These are separate pieces, not one continuous length. Exact colours and colour accuracy against photographs are not guaranteed. Pile length, backing construction, stretch, country of origin and specific washing settings are not specified by the maker. The bundle is intended for crafts, particularly small projects or designs where joining pieces is acceptable. No certification or rating information is supplied.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/faux-sheepskin-fur-fabric-squares-4-piece/", "canonical_url": "https://fabricshop.irish/faux-sheepskin-fur-fabric-squares-4-piece/", "json_url": "https://fabricshop.irish/api/products/faux-sheepskin-fur-fabric-squares-4-piece.json", "updated_at": "2026-11-13" }, { "id": "felt-fabric-sheets-40-piece", "sku": "felt-fabric-sheets-40-piece", "title": "40-Piece Assorted Colour Felt Sheets", "slug": "felt-fabric-sheets-40-piece", "price": 15.99, "currency": "EUR", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "70 g", "images": [ "https://fabricshop.irish/dropship-images/craft-fabrics/felt-fabric-sheets-40-piece/main-felt-fabric-sheets-40-piece.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/felt-fabric-sheets-40-piece/felt-fabric-sheets-40-piece-2.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/felt-fabric-sheets-40-piece/felt-fabric-sheets-40-piece-3.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/felt-fabric-sheets-40-piece/felt-fabric-sheets-40-piece-4.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/felt-fabric-sheets-40-piece/felt-fabric-sheets-40-piece-5.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/felt-fabric-sheets-40-piece/felt-fabric-sheets-40-piece-6.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/felt-fabric-sheets-40-piece/felt-fabric-sheets-40-piece-7.jpg" ], "description_short": "This pack of 40 soft felt rectangles gives you assorted colours for cutting, stitching and adding detail to craft projects.", "description": "Small projects need the right amount of fabric\n\nA little stitched picture or a set of finger puppets rarely needs a whole length of fabric. It needs pieces that fit the design, colours that work together and enough room to cut the shapes. Buying a large piece in every shade can leave you with more fabric than the project calls for.\n\nThis pack takes a smaller approach. It contains 40 felt sheets in assorted colours, each measuring approximately 15 x 10 cm. They are separate precut rectangles, not a roll or a continuous length.\n\nThat format is worth keeping in mind from the start. These are felt sheets for crafts such as small pictures, patchwork and decorative details. They make more sense for a collection of little shapes than for one large, unbroken panel.\n\nWhat the pack offers\n\nThe main facts are straightforward. You receive 40 sheets of soft felt with a solid colour pattern and a listed double-napped finish. The pack is multicoloured, with purple, pink, blue, brown and black among the shades described.\n\nThe exact colour mix is not stated. Neither is the number of sheets in each colour. Treat the assortment as a starting point for choosing a palette, rather than a promise that a particular shade will appear several times.\n\nFor a flexible design, this can be useful. You can lay out the sheets, compare colours and decide which combinations suit the idea. If you need ten identical shapes in one exact shade, however, check the supply before committing to that plan.\n\nCheck the size before choosing a project\n\nThe approximate 15 x 10 cm size is the most useful measurement when deciding whether this pack fits your needs. Draw a rectangle that size on paper and place your proposed design inside it. This quick check can save disappointment later.\n\nRemember to include any space needed for joining pieces. A puppet pattern may fit as a flat outline but need extra room around its edge for stitching. A folded needle book also needs enough fabric for the fold and the finished cover.\n\nSmall felt rectangles can be combined into larger work, but joins become part of the design. If you want a smooth background with no joins, choose a sheet large enough for the whole background instead.\n\nThe maker also lists a unit count of 1.25 square metres.\n\nUnderstand what is and is not specified\n\nThe product details call the material felt and also list chemical fibre. They do not give an exact fibre blend. There is no basis here for treating the sheets as wool felt or making assumptions about natural fibre content.\n\nThickness is not stated either. That matters if you are following a pattern that calls for a set thickness or a stiff material that holds its shape without support. Softness alone does not tell you how a finished structure will behave.\n\nThe listed double-napped finish is a surface detail, not a thickness measurement. If your project depends on precise material properties, ask for confirmation before buying. For open-ended craft work, you have more room to adapt the design once you can handle the sheets.\n\nCutting and arranging your pieces\n\nStart with a paper outline when a shape matters. Set it on the felt and check the placement before cutting. Turning a template around may let you fit another small piece beside it and leave less waste.\n\nFor felt picture making, arrange the larger shapes first. Add smaller details after you are happy with the main layout. It is easier to change a colour or move a shape before anything has been attached.\n\nKeep useful offcuts nearby. A strip left from a large shape may be enough for a narrow border, while a small corner can become a detail in another design. Precut craft felt goes further when you plan the small pieces as well as the main ones.\n\nIf children are taking part, an adult should choose suitable tools and supervise as needed. The maker gives no age recommendation or safety certification.\n\nSewing by hand or machine\n\nBoth hand and machine sewing are stated uses for this craft felt fabric. That gives you a choice of methods, depending on the project and the tools you already have.\n\nFor hand sewing, begin with a simple shape and try a few stitches on an offcut. Check whether the thread, needle and stitch spacing give the result you want. A small test is especially helpful when you have not worked with this particular felt before.\n\nUse the same approach with a sewing machine. Test your chosen settings on spare material before sewing the main pieces. If you are adding a backing or layering several shapes, test that combination rather than a single sheet alone.\n\nCross-stitch is also among the suggested uses. No fabric count or printed grid is stated, so do not assume it can replace a counted cross-stitch fabric without changes to your method.\n\nChoosing projects that suit the format\n\nFinger puppet felt needs to fit both the template and the method used to join it. Start by checking that every part fits within the sheet. Keep the first design simple so you can judge the finished size before cutting a whole set.\n\nA needle book is another listed project. Think about the cover, the fold and how the inner pieces will attach. A paper mock-up helps you see whether the finished item will be the size you intended.\n\nFelt scrapbooking supplies can add fabric shapes to a page, but thickness still matters. Before attaching anything, close the album or folder with the pieces in place. Consider whether your chosen fastening method and page layout leave enough room.\n\nFor felt for costume details, focus on smaller accents. These sheets are not large garment panels. A design made from separate shapes is a more natural fit than one that needs a broad, continuous piece.\n\nUsing assorted colours well\n\nAn assorted colour felt pack works well when the design can change with the available shades. Instead of choosing an exact palette first, start with the sheets you have and build around colours that look good together.\n\nFor a small picture, you might choose a background from another material and reserve the felt for the main shapes. For patchwork, lay the pieces side by side before joining them. The arrangement can matter as much as the individual shades.\n\nIf you are planning a group activity, avoid promising every person the same colours. The colour quantities are not specified. A shared theme with different colour choices leaves more room for the assortment you receive.\n\nSolid colour felt also lets shape and stitching take the lead. You do not need a complex outline to make a clear design. A few well-placed pieces can be easier to work with than lots of tiny details.\n\nPlanning a school or shared craft session\n\nFelt for school projects is one of the stated uses, but the pack should be planned around the activity. Count how many sheets or shapes each person needs before deciding whether one pack is enough.\n\nMake a sample first if possible. It will help you judge how much cutting is involved and whether the joining method is practical for the time available. It can also reveal whether a template needs more space than expected.\n\nOnly felt sheets are listed as included. Prepare scissors, thread, needles or other joining supplies separately, as required by the activity. There is no adhesive backing specified, so do not assume the pieces can simply be peeled and stuck in place.\n\nCare for the felt and finished work\n\nThe stated care instruction is hand wash only. Before washing a finished project, try a small offcut and consider everything else you have added. Thread, backing and adhesive may each have different care needs.\n\nDo not assume machine washing or tumble drying is suitable. The maker does not provide support for either method. If a project needs frequent washing, settle the care question before spending time on the finished piece.\n\nStore unused sheets flat so they are easy to sort and inspect. Keep smaller pieces in a separate envelope or container rather than losing them among full sheets. Those scraps may be just right for the next detail.\n\nCheck before cutting\n\nWhen the pack arrives, look at the size, feel and colour assortment before starting work. This is the moment to decide whether it suits your pattern. Once fabric has been cut, washed or used, it no longer meets the stated change-of-mind return conditions.\n\nReturns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nA delivery lead time is not specified by the maker. Check the delivery information for your address before ordering for a class, celebration or gift deadline.\n\nThe short version\n\nChoose this pack for small, colourful projects that can work with an assortment of shades. You get 40 felt rectangles, each approximately 15 x 10 cm, for cutting, shaping and stitching by hand or machine.\n\nCheck your template, allow for joins and keep your colour plan flexible. If you need a precise thickness, a known fibre blend or a guaranteed quantity of one shade, confirm those details first. For compact craft ideas, the key is matching the design to the pieces you have.", "llm_summary": "This craft pack contains 40 assorted colour felt sheets. Each precut rectangle measures approximately 15 x 10 cm. The felt is described as soft, solid coloured and double napped, with a listed weight of 70 g. Suggested uses include scrapbooking, patchwork, felt pictures, finger puppets, needle books, school textile projects and decorations. It can be cut, shaped and sewn by hand or machine. Hand wash only is the stated care instruction. Thickness, exact fibre composition, colour quantities and certifications are not specified by the maker. sheet size and quantity. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/felt-fabric-sheets-40-piece/", "canonical_url": "https://fabricshop.irish/felt-fabric-sheets-40-piece/", "json_url": "https://fabricshop.irish/api/products/felt-fabric-sheets-40-piece.json", "updated_at": "2026-11-13" }, { "id": "hessian-fabric-roll-30cm-x-1-6m", "sku": "hessian-fabric-roll-30cm-x-1-6m", "title": "Hessian Fabric Roll 30 cm x 1.6 m", "slug": "hessian-fabric-roll-30cm-x-1-6m", "price": 12.99, "currency": "EUR", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "140 g", "images": [ "https://fabricshop.irish/dropship-images/craft-fabrics/hessian-fabric-roll-30cm-x-1-6m/main-hessian-fabric-roll-30cm-x-1-6m.jpg" ], "description_short": "This lightweight, plain-weave roll gives you 30 cm by 1.6 m of fabric to cut, wrap, tie or glue into craft and decorative projects.", "description": "When a project needs more texture\n\nSome craft projects look a little flat when every part is made from paper or card. A piece of woven fabric can change that without taking over the whole design. It might be a background in a collage, a band around a wrapped gift or a small detail on a model.\n\nThis hessian fabric roll is intended for that kind of crafting and decorating. You receive one roll, 30 cm wide and 1.6 m long. The listed material is burlap, with a plain weave, a solid pattern and a natural colour.\n\nThe main question is whether that fixed size fits what you want to make. A small decorative detail needs very little fabric. A continuous table strip can use most of the length in one go. Planning the pieces before buying is the easiest way to avoid a shortfall.\n\nWhat this roll gives you\n\nThe roll measures 160 cm along its length and 30 cm across its width. Those are the dimensions to use when drawing your project layout.\n\nIts listed weight is 140 g, and the product details describe it as lightweight. That description is useful for identifying the type of craft material, but it is not a strength rating. The maker does not state thickness or weight per square metre.\n\nNatural hessian fabric gives a different look from smooth paper or printed cloth. Here, the woven surface is part of the design. The solid pattern leaves room for other decorative elements without adding another motif to your work.\n\nThe maker does not state fibre percentages. If your project depends on a particular fibre composition, seek that information before ordering rather than assuming it from the word hessian.\n\nHow to use it in a craft project\n\nThis fabric can be cut into pieces, then glued, tied or wrapped into place. The right method depends on the object you are making and how the finished piece will be handled.\n\nFor a flat collage, start by laying the fabric over the background without attaching it. Check which areas you want to cover and where you want paper or card to remain visible. A small patch may give enough contrast without covering the entire surface.\n\nFor wrapping, try the folds around the object before making your final cut. Fabric used around corners needs more length than a flat measurement may suggest. A paper template can help you check the shape without using up the roll.\n\nIf you plan to glue the material, test a small offcut with the adhesive and base you intend to use. The maker does not name a recommended glue. A test lets you judge the appearance and hold before committing to the finished piece.\n\nWho this fabric suits\n\nHessian fabric for crafts suits people working on decorative projects where a woven finish is part of the look. The listed uses include collages, models, table settings and craft embellishments.\n\nIt can be used for home activities or as classroom craft fabric. For a group project, think about how many pieces each person will need. A roll that is enough for one display may not cover a whole class making separate items.\n\nChildren and adults are both included in the suggested users. That does not replace supervision or tool guidance. An adult should choose suitable scissors, adhesives and activities for the people taking part.\n\nThis is also worth considering for someone who wants a small hessian roll rather than a larger fabric purchase. Still, choose it by the actual measurements, not by the word small.\n\nMeasure before you choose\n\nStart with the finished size of your project. Then add any fabric needed for folds, overlaps or attachment points. The visible area is not always the same as the size of the piece you need to cut.\n\nDraw a rectangle representing the full 30 cm by 160 cm roll. Place your planned pieces inside it, leaving room between cuts where needed. This gives a clearer answer than adding up the total area alone.\n\nPay particular attention to width. A design wider than 30 cm will not fit as one unjoined piece. Turning it may help only if its other dimension fits within the roll width.\n\nIf you need several matching pieces, make a paper template first. Try different layouts before cutting the fabric. Keep any useful offcuts together, since they may work for hessian craft embellishments later.\n\nPlanning table and event decorations\n\nA burlap roll for decorating can be used as a narrow strip or cut into smaller details. Before choosing it for a table, measure the exact area you want to cover. Include any overhang if that is part of the design.\n\nAt 1.6 m long, this roll has a clear limit for a continuous piece. Do not assume it will reach the full length of every dining or event table. If your design needs joins, decide where those will sit before you start.\n\nFor hessian wedding decorations, make one sample before planning the whole set. This helps you find out how much material each decoration takes, including the less visible parts used for wrapping or fastening.\n\nRustic table decorations are a decorative use, not a promise of surface protection. No heat rating is supplied. Keep proper protection under hot dishes rather than relying on the fabric.\n\nWorking on collages and models\n\nFabric for collages works well as a contrast in a mixed-material layout. You might use a larger area as a background or several small pieces as details. Try both arrangements before attaching anything.\n\nFor model making fabric, scale matters. A piece that looks right beside the roll may feel too large once placed on a small model. Cut a paper shape first and view it with the rest of the work.\n\nThink about the order of assembly too. It may be easier to attach fabric to a flat part before that part becomes difficult to reach. Test this with your project rather than forcing the fabric into place at the end.\n\nKeep the final use in mind. A display piece and an object that people handle often can need different attachment methods. The maker does not provide strength or wear test results.\n\nGift wrapping and smaller details\n\nHessian gift wrapping does not have to mean covering the whole gift. A strip around a paper-wrapped box may give you the fabric detail you want while leaving more of the roll for other work.\n\nMeasure around the actual package, including its depth. Add room for the overlap or tie you intend to make. A flat measurement across the top will not tell you how much is needed to go all the way around.\n\nNatural colour craft fabric can also become a small panel or backing for a decorative label. Lay the parts together first so you can judge their size. If you attach it with glue, test the combination before working on the gift itself.\n\nSave clean offcuts for later burlap craft projects. Keeping them flat or loosely rolled with your supplies makes it easier to see what is available.\n\nCheck the details that are not stated\n\nA useful buying decision includes knowing what is missing from the maker's description. The maker does not state the fabric thickness, fibre percentages or country of origin here. There is also no supplied weather-resistance or heat-protection rating.\n\nFor outdoor work, do not treat a craft-use description as evidence that the fabric can handle rain or long exposure. Look for stated performance if that matters to your design.\n\nThe same care applies to clothing, bedding or other uses involving regular skin contact. Those are not the listed purposes of this roll. Choose material with information that matches your intended use.\n\nFor paint or dye, no method is supplied. Try a small offcut with the specific product you want to apply, and judge the result before treating a larger section.\n\nCare, delivery and returns\n\nThe care instruction is hand wash only. A wash temperature, detergent choice and drying method are not stated. Do not assume machine washing or tumble drying is suitable.\n\nIf you have added paper, glue or other decorations, their care needs may differ from those of the fabric. Consider the finished item as a whole before cleaning it. Store unused material somewhere clean and dry.\n\nWhen the order leaves the warehouse, an email shipping confirmation provides a tracking link. No delivery timeframe is specified in the maker's description.\n\nInspect the roll before you cut, wash or use it. Returns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. You pay return postage for that return. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nChoose this hessian craft roll if you need natural-colour, plain-weave fabric for smaller craft and decorating projects. It comes as one fixed roll measuring 30 cm by 1.6 m.\n\nMeasure your layout first, test your attachment method and keep the intended use within the information provided. A little planning will help you use the roll well, from the main piece to the last useful offcut.", "llm_summary": "This product is one natural-colour hessian fabric roll measuring 30 cm wide and 160 cm long, equivalent to 1.6 m. The listed material is burlap, with a plain weave and solid pattern. Its listed weight is 140 g, and it is described as lightweight. Intended uses include crafting, decorating, collages, models, table settings and wrapping. The fabric can be cut, glued, tied or wrapped for projects. Care is hand wash only. It is sold Fibre percentages, fabric thickness and country of origin are not specified by the maker. Returns within 14 days of delivery require unwashed, uncut, unused fabric in its original packaging. Customers pay return postage.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/hessian-fabric-roll-30cm-x-1-6m/", "canonical_url": "https://fabricshop.irish/hessian-fabric-roll-30cm-x-1-6m/", "json_url": "https://fabricshop.irish/api/products/hessian-fabric-roll-30cm-x-1-6m.json", "updated_at": "2026-11-13" }, { "id": "linen-needlework-fabric-4-piece", "sku": "linen-needlework-fabric-4-piece", "title": "Four-Colour Linen Needlework Fabric Pack", "slug": "linen-needlework-fabric-4-piece", "price": 23.99, "currency": "EUR", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "190 g", "images": [ "https://fabricshop.irish/dropship-images/craft-fabrics/linen-needlework-fabric-4-piece/main-linen-needlework-fabric-4-piece.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/linen-needlework-fabric-4-piece/linen-needlework-fabric-4-piece-2.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/linen-needlework-fabric-4-piece/linen-needlework-fabric-4-piece-3.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/linen-needlework-fabric-4-piece/linen-needlework-fabric-4-piece-4.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/linen-needlework-fabric-4-piece/linen-needlework-fabric-4-piece-5.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/linen-needlework-fabric-4-piece/linen-needlework-fabric-4-piece-6.jpg" ], "description_short": "Four pre-cut squares in four colours give you separate starting points for embroidery, needlework and small sewing projects.", "description": "Small stitching projects can leave you with an awkward choice. A full length of fabric may be more than you need, while scraps from earlier work may be too small for the design you have in mind. Pre-cut squares give you a clear starting size, so you can work out what fits before you thread a needle.\n\nThis pack contains four linen fabric pieces in four colours. Each square measures 50 x 50 cm. They are intended for needlework, embroidery and craft sewing, with a solid pattern that leaves the design work to you.\n\nThe useful question is not just whether you like the fabric. It is whether its size and stated details match the project you want to make. Here is how to decide.\n\nStart with the project, not just the cloth\n\nThink about the finished item first. A small stitched picture needs room around the design for holding and finishing. A pouch needs separate parts and seam allowances. A decorative panel may need extra fabric at the edges so it can be attached to another item.\n\nDraw the required shapes on paper before cutting. Include every part, not only the visible front. It is easy to forget a back panel or the extra cloth needed for a folded edge.\n\nFor a first project, keeping one square intact gives you more freedom to move the design. You can trim it later, once you know how you want to finish it. Cutting first may leave too little room for a hoop or hem.\n\nWhat the four-piece format gives you\n\nA four-colour fabric pack lets you keep projects separate. You might use one piece for a finished design and another for testing stitches. Or you could plan a series of related motifs, with each colour providing a different background.\n\nThe pieces are pre-cut. They do not arrive as a continuous length, and they are not cut to your requested dimensions. That matters if your pattern needs a long strip or a large unbroken panel.\n\nFor smaller work, separate squares can be convenient. You can take out one piece without handling all the fabric, and reserve the others for later. Keep the unused pieces together so they stay easy to find when you return to the project.\n\nUnderstand the material details\n\nThe maker lists the material type as linen. A separate fabric type entry lists cotton and linen. It does not give fibre percentages, so you should not treat that as a confirmed pure-linen composition.\n\nThe weave is described as plain/linen, and the pattern is solid. Thread count, fabric weight per square metre and weave spacing are not stated. The listed item weight of 190 g does not tell you the weight per square metre.\n\nThese gaps matter most when a pattern calls for a precise fabric specification. If you need a set fibre blend or a certain weave count, ask for that information before buying. For less exacting decorative work, a small test can help you decide how the fabric behaves with your chosen stitches.\n\nChoosing fabric for hand embroidery\n\nWhen choosing fabric for hand embroidery, consider the relationship between the background and the thread. A stitched line should be easy to see unless you are deliberately aiming for a low-contrast effect.\n\nThis pack offers four colours, but the exact colour names are not stated. If you need to match an existing textile closely, confirm the colour details rather than relying on a general multicolour description.\n\nOnce the fabric arrives and you have decided to keep it, try a few stitches in a spare area. Check whether the needle passes through comfortably and whether your thread creates the coverage you want. A small trial is easier to change than a half-finished design.\n\nCheck counted designs with care\n\nNeedlework linen fabric and counted cross-stitch fabric are not automatically interchangeable. Counted designs depend on the spacing of the fabric threads or holes. That spacing affects both stitch placement and finished size.\n\nAlthough the maker mentions cross stitch, it does not state a fabric count. Do not calculate a chart's finished dimensions from the square size alone. The outer dimensions tell you how much cloth you have, not how many stitches will fit.\n\nIf your chart requires a particular count, confirm that detail first. For an embroidery sampler fabric project based on freehand outlines, a missing count may be less important, but you should still test the design before filling a large area.\n\nMake the square size work for you\n\nEach piece measures 50 x 50 cm. Treat that as the total fabric available, not the finished size of a sewn item. Seams, hems and other finishing methods use some of that area.\n\nHoop-based work also needs spare cloth outside the stitched section. Check that your hoop can hold the fabric while leaving the intended design in a useful position. A motif placed too close to an edge can become awkward to stitch.\n\nFor several small parts, make a paper layout. Place the largest shapes first, then see whether smaller details fit around them. Leave a useful test scrap if possible. It can save you from trying a new setting or marking method on the finished piece.\n\nThink beyond framed embroidery\n\nSmall sewing project fabric can have several roles. A stitched panel could become part of a pouch, a decorative patch or a larger fabric assembly. The maker's description also mentions bags, pillow-related crafts and table coverings.\n\nThose uses still need sensible planning. A bag may need lining or reinforcement, depending on its design and purpose. A cushion cover needs front and back pieces that fit its insert after seams are sewn.\n\nA full-size curtain or large tablecloth cannot come from one 50 x 50 cm square. Joining pieces may be possible for your design, but it changes the look and adds seams. Work out those joins before treating a small pack as a substitute for continuous fabric.\n\nSet up before making permanent changes\n\nInspect the pack before you wash, mark or cut it. Check the number of pieces, their colours and the size against what your project needs. Keep the original packaging while you make that decision.\n\nThis is also the time to review anything still unknown. If exact fibre content or colourfastness is essential, do not assume the answer. Get the missing detail before making a permanent change.\n\nOnce you are ready to begin, lay a piece flat and mark your layout with care. Test any marking method on a spare area first. The same applies to machine settings and unfamiliar threads. Preparation may feel slow, but it can prevent a much longer round of unpicking.\n\nCare for the fabric and the finished work\n\nThe stated care instruction is hand wash only. No wash temperature, ironing setting or tumble-drying method is provided, so avoid adding those assumptions to your care plan.\n\nYour finished project may include more than this fabric. Embroidery thread, lining, trims and transferred marks can all affect how it should be cleaned. Test them together before washing an item you have spent time making.\n\nIf you choose to wash before sewing, inspect the fabric and decide whether to keep it first. Washed fabric does not meet the stated change-of-mind return conditions. Shrinkage figures are not given by the maker, which is another reason to plan carefully when exact finished dimensions matter.\n\nStore unused pieces clean and dry. Keep them away from direct sunlight and protect unfinished edges from catching on tools or fastenings.\n\nBuying for someone else\n\nFabric for handmade gifts can mean two different things. You may want to make a gift yourself, or give the unused pack to someone who enjoys sewing. In either case, knowing the recipient's interests helps.\n\nFor a keen embroiderer, separate colours can offer room to try different designs. For someone just starting, remember that the stated contents are fabric pieces, not a complete kit. Thread, needles, a pattern and other tools are not listed as included.\n\nIf you are making something for a fixed date, check delivery information before ordering. The maker does not supply a delivery lead time, so leave time for both arrival and the stitching itself.\n\nThe short version\n\nChoose this pack when four separate 50 x 50 cm pieces fit your plan. The solid colours offer backgrounds for embroidery, practice stitching and small sewing projects. Check any pattern requirements that depend on fibre content, weave count or exact colour before buying.\n\nInspect the fabric before washing or cutting. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with the customer paying return postage. Faulty or wrongly described goods are put right free of charge.\n\nStart with a measured layout and a small stitch test. Those two steps give your project a more considered beginning.", "llm_summary": "This needlework fabric pack contains four pre-cut pieces in four colours. Each piece measures 50 x 50 cm. The fabric has a solid pattern and a plain/linen weave, and is listed for embroidery, needlework and craft sewing. Material type is listed as linen, while fabric type is listed as cotton and linen. Exact fibre percentages, thread count and fabric weight per square metre are not specified by the maker. Listed item weight is 190 g. Care instructions state hand wash only. Exact colour names and country of origin are not specified. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. The customer pays return postage; faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/linen-needlework-fabric-4-piece/", "canonical_url": "https://fabricshop.irish/linen-needlework-fabric-4-piece/", "json_url": "https://fabricshop.irish/api/products/linen-needlework-fabric-4-piece.json", "updated_at": "2026-11-13" }, { "id": "pink-tulle-fabric-roll-30cm", "sku": "pink-tulle-fabric-roll-30cm", "title": "Pink Tulle Fabric Roll, 30 cm x 91 m", "slug": "pink-tulle-fabric-roll-30cm", "price": 29.99, "currency": "EUR", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "280 g", "images": [ "https://fabricshop.irish/dropship-images/craft-fabrics/pink-tulle-fabric-roll-30cm/main-pink-tulle-fabric-roll-30cm.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/pink-tulle-fabric-roll-30cm/pink-tulle-fabric-roll-30cm-2.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/pink-tulle-fabric-roll-30cm/pink-tulle-fabric-roll-30cm-3.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/pink-tulle-fabric-roll-30cm/pink-tulle-fabric-roll-30cm-4.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/pink-tulle-fabric-roll-30cm/pink-tulle-fabric-roll-30cm-5.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/pink-tulle-fabric-roll-30cm/pink-tulle-fabric-roll-30cm-6.jpg" ], "description_short": "One lightweight polyester roll gives you 30 cm of width and 91 metres of length for bows, gift wrapping and decorative projects.", "description": "A simple way to bring decorations together\n\nPlanning a party or craft project often means finding one material that works in several places. You might want bows on chairs, a soft accent around flowers and matching details on gifts. Buying unrelated pieces can make it harder to keep the colour and style consistent.\n\nA pink tulle roll gives you fabric to shape around your own plan. This product contains one roll, 30 cm wide and 91 metres long. It is lightweight polyester tulle with a solid pink colour, intended for decorative uses and craft projects.\n\nThe key is to treat it as a starting material, not a finished decoration. You decide how long each piece should be, how much to gather and what else the project needs. A little measuring before you cut can save both fabric and time.\n\nWhat this roll gives you\n\nThe long, narrow format matters. A 30 cm tulle roll is useful for wrapping, tying and gathering, but it is not the same as a broad sheet of fabric. That difference is worth checking before you plan a table covering or a large garment panel.\n\nThe supplied length is 91 metres, with a listed area of 27.3 square metres. Those figures describe the same roll in different ways. The area does not mean you receive a wide square piece.\n\nThe listed weight is 280 g. The product details describe the polyester tulle as soft, lightweight and easy to shape. It can be folded, gathered or tied for different decorative effects. The colour is given simply as pink, without a shade code, so allow for that if your project depends on a close colour match.\n\nHow tulle works in a decoration\n\nMuch of the shape in a tulle decoration comes from how you arrange it. Folded loops can form a bow, while several gathered pieces can build a fuller decoration.\n\nStart with a small trial rather than cutting the whole roll into equal lengths straight away. Tie a bow around the actual chair or gift box you intend to decorate. Look at the loop size and the hanging ends, then adjust the length.\n\nThe product information states that the tulle does not fall apart when cut. That makes it useful for projects where you need several individual pieces. Even so, use scissors suited to fabric and work on a clear surface so the material does not catch on nearby tools.\n\nWho this fabric suits\n\nThis roll suits people planning repeated decorative pieces in pink. Wedding decorations, birthday displays and gift wrapping are all listed uses. It can also be used for flower arrangements, home decorations and craft projects.\n\nFor a beginner, tulle bow fabric offers a manageable starting point. A bow or gathered gift wrap lets you try shaping the material without first making a fitted item. Once the first piece looks right, use its measurements as your guide.\n\nMore involved projects need more planning. Tutu skirts, petticoats and hair accessories are among the suggested applications, but the roll is fabric rather than a complete kit. Think through the finished item and list any extra parts you need before starting.\n\nCheck width before planning length\n\nIt is easy to focus on the 91-metre length and overlook the width. For many projects, width is the first measurement to check. A long supply cannot replace a wider piece if your design calls for one continuous broad panel.\n\nFor table decoration tulle, measure the part of the table you want to dress. Decide whether you want a narrow central accent, tied sections or gathered details around a display. Do not assume this roll will work as a full tablecloth.\n\nThe same applies to wearable crafts. Compare the 30 cm width with your pattern or construction method. If the design needs a different format, change the plan before cutting. It is much easier to make that decision while the roll is still intact.\n\nWork out how much each piece needs\n\nYour fabric use will depend on the finished shape, not just the surface being covered. A tied bow needs length for its loops and ends. A gathered section needs more fabric than a flat section of the same finished span.\n\nMake one complete sample and measure the length it uses. Then multiply that figure by the number of pieces you want. Add a reasonable allowance for adjustments and any extra decorations you have not yet finalised.\n\nFor example, do not estimate chair sash tulle from the chair's width alone. Measure the route the fabric will take around the chair, then test the tie. Keep a written cut list so that later pieces match the first successful sample.\n\nPlan wedding and party details together\n\nUsing one roll across several small details can help a decorated space feel connected. You could plan bows for chairs and use related gathered shapes around floral displays. The fabric does not need to appear on every surface to carry the colour through.\n\nWhen choosing wedding decoration tulle, think about the setting as well as the look. Ask the venue about attachment rules and any fabric requirements before making a large batch of decorations. No flame-resistance or event certification is stated for this product.\n\nLay out a trial arrangement at home if possible. Check whether the decoration hangs where you expect and whether the ties stay clear of walkways. Keep fabric away from candles, heaters and other heat sources. A display should be practical to use as well as pleasing to look at.\n\nUse it for gifts and flowers\n\nTulle for gift wrapping can be used as an outer decorative layer or tied into a bow. Start with the gift itself and decide where the gathered point should sit. Test the amount needed before trimming away any extra.\n\nIf you are wrapping several gifts, make the largest or most awkward shape first. That helps you understand how the fabric behaves around corners and where the ties look balanced. You can then plan the smaller pieces with less guesswork.\n\nFlower wrapping tulle is another listed use. Try a loose arrangement around the outside of the flowers before securing it. The fabric should support the look you want without getting in the way of handling the arrangement. Any ribbons or fastenings should be planned separately.\n\nThink ahead for wearable crafts\n\nTutu making fabric needs a clear project plan. Decide on the intended size, length and fullness before working out your cuts. Follow the measurements in your chosen pattern or method rather than assuming one roll produces a set number of finished items.\n\nThe same care helps with tulle hair bows and other small accessories. Make one sample to check the scale. A bow that looks balanced on a table may be larger than you want when attached to a hair fitting.\n\nThe maker does not provide garment performance tests or specific suitability claims for children's items. Do not treat the decorative uses as proof of safety for every design. Choose any added components with the intended wearer and use in mind, and check the finished construction carefully.\n\nCare for the fabric and save the leftovers\n\nHand wash only is the stated care instruction. If you have made a finished item, remember that attached parts may have their own care needs. Check those before putting the whole project into water.\n\nHandle the fabric gently and avoid pulling it past rough surfaces or sharp edges. When working, keep scissors and other pointed tools separate from the unused roll. A tidy cutting area makes measuring easier too.\n\nStore spare party decoration fabric clean and dry. Keep longer pieces rolled and smaller offcuts together so you can see what remains. Useful leftovers may suit small bows or finishing details on another project, rather than being lost among unrelated craft supplies.\n\nCheck the roll before committing\n\nWhen the fabric arrives, compare it with your project needs before cutting or washing it. Check the pink colour, width and overall suitability while the roll is unused. If you are matching existing decorations, place them together in the setting where they will be used.\n\nA delivery lead time is not specified by the maker, so check the delivery information for your address before ordering for a fixed date. Leave time to inspect the fabric and make a sample before the main work begins.\n\nReturns are accepted within 14 days from delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge. Keeping the packaging until you have checked the fabric makes that first decision simpler.\n\nThe short version\n\nChoose this roll if your project calls for solid pink polyester tulle in a 30 cm width. You receive one 91-metre roll to cut yourself for bows, wrapping, decorations or planned wearable crafts.\n\nMeasure first, make one sample and then repeat the design. Check colour and suitability before cutting, follow the hand-wash instruction, and keep unused fabric organised for the next project.", "llm_summary": "This product is one roll of pink polyester tulle fabric, measuring 30 cm wide and 91 metres long. The listed fabric area is 27.3 square metres and the listed weight is 280 g. It has a solid pattern and is described as lightweight, soft and easy to shape. Suggested uses include wedding and party decorations, table accents, chair sashes, gift wrapping, bows, flower arrangements, tutu skirts and hair accessories. The buyer cuts the required lengths from the supplied roll. Hand wash only is the stated care instruction. An exact pink shade reference, country of origin and certification details are not specified by the maker. The pack contains fabric, not a completed decoration or garment.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/pink-tulle-fabric-roll-30cm/", "canonical_url": "https://fabricshop.irish/pink-tulle-fabric-roll-30cm/", "json_url": "https://fabricshop.irish/api/products/pink-tulle-fabric-roll-30cm.json", "updated_at": "2026-11-13" }, { "id": "white-aida-cloth-18-count", "sku": "white-aida-cloth-18-count", "title": "White 18 Count Aida Cloth", "slug": "white-aida-cloth-18-count", "price": 56.99, "currency": "EUR", "availability": "in_stock", "category": "craft-fabrics", "category_label": "Craft Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": null, "images": [ "https://fabricshop.irish/dropship-images/craft-fabrics/white-aida-cloth-18-count/main-white-aida-cloth-18-count.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-2.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-3.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-4.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-5.jpg", "https://fabricshop.irish/dropship-images/craft-fabrics/white-aida-cloth-18-count/white-aida-cloth-18-count-6.jpg" ], "description_short": "One white piece measuring 1 metre by 1.5 metres gives you room to plan designs on an 18 count grid.", "description": "Choosing cross stitch fabric is partly about the design and partly about how you like to work. A chart may look small on a screen, yet need far more cloth once you add space for a hoop, a border and a frame. Fabric count changes the finished size too.\n\nThis white Aida cloth is supplied as one piece measuring 1 metre by 1.5 metres. Its 18 count grid gives you a clear basis for planning. Before ordering, check that the grid feels comfortable to stitch and that your full project, including its margins, fits the piece.\n\nWhat the 18 count grid means\n\nAida has a visible grid used for counted stitching. The count tells you how many squares sit within an inch. With 18 count Aida, there are 18 squares per inch.\n\nFor standard cross stitch worked over one square, each square holds one cross. That means a chart measuring 180 stitches across would have a stitched width of 10 inches on this count. This is a calculation example, not a suggested project size.\n\nOn 18 count cross stitch fabric, a design will be smaller than on 14 count when worked in the same way. The number of stitches stays the same, but the space they occupy changes.\n\nCheck the chart before choosing cloth\n\nStart with the chart's stitch dimensions, not just its stated finished size. Find the width and height in stitches, then divide each by 18 to work out the stitched area in inches.\n\nNext, think about everything outside the design. You need cloth to hold while stitching and enough for the final finish. A framed picture may need a different allowance from a small sewn item. Ask your framer or follow your finishing instructions before setting the margins.\n\nIf a pattern includes speciality stitches, read those instructions as well. Some designs depend on a particular fabric structure. Aida fabric for cross stitch should suit the actual stitches in the chart, not only its overall measurements.\n\nPlan the whole piece before cutting\n\nThe supplied piece measures 1 metre by 1.5 metres.\n\nFor one large project, map out the stitched area and all surrounding allowances. Keep your units consistent. Convert measurements before comparing a chart calculated in inches with fabric measured in metres.\n\nIf you want several smaller projects, sketch their positions on paper first. Include the margins around every design, not just the stitched shapes. A gap that looks unused may be needed for mounting or sewing later.\n\nA large Aida cloth piece can offer layout choices, but the number of projects it holds depends on your plans. Do not assume that dividing the total area by one design's area will give a workable cutting layout.\n\nDecide whether the finer grid suits you\n\nThe right count is one you can see, count and stitch without undue strain. An 18 count grid has smaller squares than a lower-count fabric. Some stitchers enjoy that scale, while others prefer more space between holes.\n\nIf you are new to counted cross stitch cloth, consider how comfortable you are following small rows. Good task lighting can help. Take breaks when counting becomes tiring rather than pushing on and risking mistakes.\n\nExperience is not the only factor. A confident stitcher may choose a larger grid for a relaxed project, while a beginner may be happy working at 18 count. Your comfort matters more than treating one count as a skill level.\n\nThink about the white background\n\nWhite Aida cloth gives you a white base wherever the design leaves fabric uncovered. That background is part of the finished picture, even when it seems less important than the threads.\n\nLook at the chart's open areas. A lightly stitched sampler may show a lot of cloth, while a full-coverage picture may show very little inside the design. The border will still matter if you leave one visible.\n\nCompare pale thread colours with the background before starting. A light shade may be meant to create a subtle detail rather than a strong contrast. If the chart calls for a different background colour, think through that change instead of assuming the result will look the same.\n\nMatch your tools to the project\n\nThis is cloth. It does not list needles, threads, a hoop or a pattern as included, so plan those separately.\n\nChoose a needle that passes through the grid without forcing the holes apart. Thread thickness also affects how each cross sits. Follow the chart's strand guidance as a starting point, then test if you are unsure about coverage.\n\nA hoop or frame can help hold the working area steady. Keep the fabric supported without pulling it out of shape. For a larger piece, think about how you will keep the unused cloth clean and out of the way as you stitch.\n\nAvoid choosing tools only because they worked on a previous fabric count. Small changes in the grid can change how the same needle and thread feel.\n\nStart with a clear layout\n\nOnce you have checked the fabric and decided to keep it, confirm the design position before making cuts. Find the centre or starting point required by your chart, then check the distance to each edge.\n\nFor lettering or a sampler, check the complete width rather than judging it from the first row. A border added later can take more space than expected. Include all chart sections in your measurement from the start.\n\nIf you mark the fabric, choose a method suited to your materials and test it first. Do not assume every pen or pencil will wash out. Counting carefully from a known point is more useful than adding marks you cannot safely remove.\n\nAllow for the final finish\n\nIt is easy to focus on the stitched image and leave the finishing decision until later. That can lead to a piece with too little spare cloth around it.\n\nFor Aida cloth for framing, ask how the work will be mounted. The fabric beyond the visible image may be needed to hold the piece in place. A close cut cannot be undone.\n\nIf you plan to sew the work into another item, include seam allowances and any edge treatment. Keep these separate from decorative borders when doing your sums. A visible border is part of the design, while a seam allowance serves a different purpose.\n\nPlanning the finish early does not mean you must choose every detail now. It means leaving enough room for the finish you have in mind.\n\nKnow which details are not stated\n\nThe maker gives the fabric type, white colour, 18 count grid, piece size and quantity. The maker does not state the fibre composition, fabric weight or country of origin in the maker's description.\n\nThose gaps matter if you need a particular fibre or a certain care method. Do not assume a composition from the word Aida or from the appearance of white embroidery fabric in a photograph.\n\nWashing and ironing settings are also not stated. If a project has strict material needs, ask for clarification before ordering. It is better to settle an important requirement before stitching than to discover the uncertainty after finishing.\n\nCare for the cloth as you work\n\nKeep your work area and hands clean. Store the unused portion where it will not pick up dust, moisture or colour from another item. Protect loose edges from catching on tools or storage surfaces.\n\nBefore washing a finished project, check both fabric guidance and thread care instructions. Different threads or added details may need different treatment. Test colourfastness rather than assuming all colours will behave alike.\n\nThe maker does not give a wash temperature or ironing setting here. Avoid choosing one by guesswork. If you receive care guidance with the cloth, keep it with your project notes so it is available when the work is finished.\n\nCheck suitability before use\n\nWhen the cloth arrives, check it against your intended project before washing, cutting or stitching.\n\nWe sell in Ireland, but the maker's description does not give a delivery lead time. Check the delivery information when ordering, especially if you are planning a gift or working towards a date.\n\nReturns are accepted within 14 days from delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nChoose this cross stitch project fabric if you want one white piece of 18 count Aida measuring 1 metre by 1.5 metres. Calculate the stitched area from your chart, add the right finishing margins and check the whole layout before cutting.\n\nThe key choice is whether the count suits both your design and your comfort. Once those fit, you can plan the first stitch with a clear idea of where the last one will land.", "llm_summary": "This product is one piece of white 18 count Aida cloth for cross stitch. The supplied piece measures 1 metre by 1.5 metres and is listed as new and in stock. An 18 count grid has 18 squares per inch, allowing the stitched area to be calculated from a chart when working one cross stitch per square. Fibre composition, fabric weight, country of origin and washing settings are not specified by the maker. We sell in Ireland. Returns are accepted within 14 days from delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/white-aida-cloth-18-count/", "canonical_url": "https://fabricshop.irish/white-aida-cloth-18-count/", "json_url": "https://fabricshop.irish/api/products/white-aida-cloth-18-count.json", "updated_at": "2026-11-13" }, { "id": "nude-power-mesh-stretch-fabric", "sku": "nude-power-mesh-stretch-fabric", "title": "Nude Power Mesh Precut Fabric", "slug": "nude-power-mesh-stretch-fabric", "price": 17.99, "currency": "EUR", "availability": "in_stock", "category": "dressmaking-fabrics", "category_label": "Dressmaking Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "109 g", "images": [ "https://fabricshop.irish/dropship-images/dressmaking-fabrics/nude-power-mesh-stretch-fabric/main-nude-power-mesh-stretch-fabric.jpg", "https://fabricshop.irish/dropship-images/dressmaking-fabrics/nude-power-mesh-stretch-fabric/nude-power-mesh-stretch-fabric-2.jpg", "https://fabricshop.irish/dropship-images/dressmaking-fabrics/nude-power-mesh-stretch-fabric/nude-power-mesh-stretch-fabric-3.jpg", "https://fabricshop.irish/dropship-images/dressmaking-fabrics/nude-power-mesh-stretch-fabric/nude-power-mesh-stretch-fabric-4.jpg", "https://fabricshop.irish/dropship-images/dressmaking-fabrics/nude-power-mesh-stretch-fabric/nude-power-mesh-stretch-fabric-5.jpg", "https://fabricshop.irish/dropship-images/dressmaking-fabrics/nude-power-mesh-stretch-fabric/nude-power-mesh-stretch-fabric-6.jpg" ], "description_short": "A nude stretch mesh precut gives you one manageable piece for planning panels, layers and sewing trials.", "description": "When a project needs a flexible layer\n\nA sewing pattern can look simple until you reach the fabric list. It may call for a stretch panel, a mesh layer or a flexible lining, and ordinary woven fabric will not do the same job. The challenge is finding something that suits both the pattern and the way you want the finished piece to fit.\n\nThis power mesh fabric is a nude precut, supplied as one piece. It gives you a fixed amount of fabric to plan around rather than a custom length. That can suit a smaller project, but it also makes checking your layout important.\n\nBefore choosing it, focus on the questions that affect the result. Is the piece large enough? Does your pattern need a measured amount of stretch? Will the shade work with the other fabrics? Those checks are more useful than choosing by the product name alone.\n\nWhat you receive\n\nYou receive one precut piece measuring 1 yard (91 cm) long and 152 cm (60 in) wide. If you buy two packs, you receive two separate pieces, not a single piece twice as long.\n\nThat distinction matters when a pattern has a long section. Two pieces may provide enough fabric overall but still leave you without the uninterrupted length you need. A seam is not always an acceptable fix, especially in a visible panel.\n\nDraw or mark out the available rectangle before ordering. Place your pattern pieces within it at their actual size, including seam allowances. Check the required stretch direction as well. A piece that fits when turned sideways may not work that way in the finished garment.\n\nUnderstanding the stretch information\n\nThe heading describes this as four way stretch mesh. That tells you how the product is presented, but it does not provide a measured stretch percentage. Recovery, which is how well fabric returns after stretching, is also not stated.\n\nThese missing details matter most in close-fitting sewing. A pattern designed for a specific stretch range may fit poorly if the chosen fabric stretches much less or more. The same issue applies when a panel needs to hold its shape after movement.\n\nUse your pattern's own test method if it includes one. Check the actual fabric before final assembly rather than assuming all spandex mesh fabric behaves alike. A short trial seam can also show whether your stitch settings allow the seam to move with the fabric.\n\nRead the fibre details with care\n\nThe specification table lists 90% nylon and 10% spandex. Another section of the source reverses those percentages. That is a real conflict, not a detail to smooth over.\n\nIf the exact blend is important to your project, ask for confirmation before buying. This is especially sensible when you are following a pattern with strict material guidance or trying to repeat the feel of an existing garment.\n\nThe available details support describing the product as nylon spandex mesh, but they do not settle the percentage conflict. They also do not supply a tested support grade. Treat those as open questions rather than filling the gaps with assumptions.\n\nProjects worth considering\n\nDressmaking mesh can be useful to consider when a pattern calls for a flexible mesh section. Possible plans include small panels, layered details or a mesh lining allowed by the pattern. The right choice depends on the pattern requirements, not just the general garment type.\n\nFor lingerie, check whether the instructions call for light mesh or a more supportive material. A power mesh name alone does not establish firm support. For dancewear, check both movement and coverage in the position the panel will occupy.\n\nSwimwear needs a separate check. Chlorine resistance and performance in water are not stated by the maker. Do not assume that a fabric suited to a stretch sewing project is also suited to repeated pool use.\n\nChoosing a nude shade\n\nNude describes the listed colour, but it is not one shade that matches everyone. It also does not promise a match to another fabric sold under the same colour name.\n\nThink about how the mesh will be seen. A panel worn against skin may need a different match from a layer placed behind lace. The surrounding fabric can affect how obvious a colour difference looks.\n\nFor nude mesh panels, inspect the actual piece in the setting where you expect to use it. Check it beside the main fabric and against any intended backing. Do that before cutting or washing, while the fabric can still meet the stated change-of-mind return conditions.\n\nCheck coverage rather than guessing\n\nOpacity is not specified by the maker. You should not rely on the word mesh to tell you exactly how much will show through, or assume that a nude shade will disappear against skin.\n\nLook at the fabric relaxed and at the amount of stretch expected in the finished piece. Check it under the lighting relevant to the project. If coverage is important, include any planned backing in that check.\n\nLayering may change the look, but it also changes the way a panel behaves. Test the planned layers together. A useful mesh layering fabric still needs to work with the seams, fit and movement of the complete garment.\n\nPlan around the precut format\n\nA one yard mesh fabric pack makes quantity easy to understand. You know the dimensions of each piece before buying. It is still worth doing a full layout instead of estimating from the apparent size of the project.\n\nSmall pattern pieces can consume more width than expected when they must face a certain way. Fold requirements, seam allowances and paired sections all affect the layout. Allow room for a test seam too, if your plan permits.\n\nIf you need more than one pack, decide which sections will come from each piece. Do not build the layout around an imaginary continuous length. This simple step can prevent a frustrating shortage halfway through cutting.\n\nHandling and sewing the mesh\n\nStart with the fabric resting flat and relaxed. Pulling it tight while measuring or cutting can make it harder to keep the intended shape. Take time to check that the pattern is positioned as required.\n\nNo needle size, thread type or machine setting is supplied. Follow the guidance for your machine and pattern, then make a trial seam on an offcut. Check the seam at rest and when gently stretched to the level expected in use.\n\nAvoid choosing a stitch only because it looks neat while flat. It needs to work with the moving fabric as well. If the trial seam puckers or restricts the stretch, adjust your setup before sewing the main sections.\n\nCare before and after sewing\n\nHand wash only is the stated care instruction. Follow any care label that arrives with the fabric. Handle the mesh gently and avoid twisting or wringing it.\n\nA pressing temperature is not given. Do not guess a heat setting for the main piece. Follow supplied guidance and try any pressing method on an offcut first.\n\nIf your pattern recommends washing fabric before sewing, first complete your initial inspection and decide whether you are keeping it. Washing changes its eligibility for a change-of-mind return under the stated policy. Once you have decided to proceed, follow the care instructions rather than treating it like a machine-washable fabric.\n\nDelivery, checks and returns\n\nA delivery time is not stated by the maker. Check the delivery information for your Ireland order before paying, particularly if the fabric is for a dated event or a gift.\n\nWhen it arrives, inspect the piece before starting work. Check the colour, size and whether the fabric meets the needs you identified in your pattern. Keep the original packaging while you make that decision.\n\nFor Ireland orders, the stated return window is 14 days from delivery. Fabric must be unwashed, uncut, unused and in its original packaging, and the customer pays return postage. Faulty or wrongly described goods are put right free of charge. Report those issues rather than trying to work around them by cutting into the fabric.\n\nThe short version\n\nChoose this nude power mesh if your plan suits a single piece measuring 1 yard (91 cm) long and 152 cm (60 in) wide. Extra packs are separate pieces, so confirm the layout before ordering.\n\nThe heading states four way stretch, but measured stretch, recovery and opacity are not given by the maker. The fibre percentages also need confirmation because the source gives conflicting figures.\n\nMatch the fabric to your pattern, inspect it before altering it and test your sewing setup before final assembly. Those practical checks give you a clearer basis for choosing than the mesh name alone.", "llm_summary": "This product is one precut piece of nude power mesh for sewing. The stated selling size is 1 yard (91 cm) long and 152 cm (60 in) wide. Multiple quantities arrive as separate packs, not as one continuous length. The listed item weight is 109 g. Product details state 90% nylon and 10% spandex, but another source section reverses those percentages, so the composition needs confirmation. The heading states four way stretch. Stretch percentage, recovery, opacity and country of origin are not specified by the maker. Care is hand wash only. Ireland returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. Customers pay return postage unless goods are faulty or wrongly described.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/nude-power-mesh-stretch-fabric/", "canonical_url": "https://fabricshop.irish/nude-power-mesh-stretch-fabric/", "json_url": "https://fabricshop.irish/api/products/nude-power-mesh-stretch-fabric.json", "updated_at": "2026-11-13" }, { "id": "white-cotton-fabric-1-metre", "sku": "white-cotton-fabric-1-metre", "title": "White Plain Cotton Fabric, 1 Metre", "slug": "white-cotton-fabric-1-metre", "price": 14.99, "currency": "EUR", "availability": "in_stock", "category": "dressmaking-fabrics", "category_label": "Dressmaking Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "145 g", "images": [ "https://fabricshop.irish/dropship-images/dressmaking-fabrics/white-cotton-fabric-1-metre/main-white-cotton-fabric-1-metre.jpg" ], "description_short": "A one-metre piece of plain-weave cotton gives you a simple starting point for clothing, patchwork and everyday crafts.", "description": "Start with the project, then choose the cloth\n\nA sewing project can stall before the first stitch if the fabric is the wrong size or weight. A plain white cotton gives you a useful starting point, but it still needs to match what you want to make. A patchwork panel and a fitted shirt ask different things of the same cloth.\n\nThis cotton fabric by the metre is supplied as one piece, 1 metre long and 152 cm (60 in) wide. It is 100% cotton with a plain weave and a solid white colour. Suggested uses range from clothing to bunting and light home décor.\n\nThe key question is not how many possible uses it has. It is whether this particular piece fits your pattern, your care needs and the finish you have in mind. A few checks before ordering can save a frustrating shortage later.\n\nUnderstand what you are buying\n\nThis is a defined piece of fabric, not a custom cutting service. One purchase gives you one metre of length across a width of 152 cm. If you order more than one quantity, the pieces may not arrive joined as one continuous length.\n\nThat matters for long pattern pieces. Two separate one-metre pieces cannot replace a continuous two-metre piece when a design needs an unbroken panel. Before buying several quantities, check whether each part of your project can fit within the supplied piece size.\n\nFor smaller projects, separate pieces may be quite workable. Patchwork blocks, bunting flags and some cushion panels can be planned individually. Sketch the layout first, including seam allowances, rather than relying on the total number of metres alone.\n\nWhat the weave and weight tell you\n\nThe product is described as 100% cotton plain fabric. Plain weave refers to how the cloth is constructed, while solid white describes its appearance. There is no printed motif that needs to line up from one panel to the next.\n\nThe stated fabric weight is 140 GSM, and the cloth is described as light to medium weight. GSM means grams per square metre. The separate listed item weight is 145 g; these figures describe different things and should not be treated as interchangeable.\n\nWeight helps narrow your choices, but it does not answer every question. The maker does not give a stiffness measurement, stretch percentage or opacity rating. If your pattern depends on one of those qualities, check rather than guessing from the cotton content.\n\nCheck your cutting layout before ordering\n\nStart with the fabric requirements on your sewing pattern. Look for the length needed at the relevant fabric width, then compare that with this one-metre piece.\n\nIf you already have the pattern, lay its pieces out within a marked rectangle measuring 1 metre by 152 cm. Keep the grainline directions as instructed. Include pieces that are easy to forget, such as facings, pockets, ties and waistbands.\n\nAllow room for preparation too. A shrinkage rate is not stated, so do not plan a layout that depends on every last centimetre remaining unchanged after washing. For a very close fit, ask for more information before buying or choose a project with more breathing room.\n\nChoosing white dressmaking fabric\n\nShirts, skirts and summer wear are among the suggested uses for this fabric. That makes it worth considering for a clothing project, provided your pattern calls for a suitable cotton and the required pieces fit.\n\nWhite fabric needs a coverage check. Hold the cloth against the underlayer you intend to wear and view it in suitable light. Do this before cutting, since the maker does not state how opaque the fabric is.\n\nIf the result is too sheer for your plan, you may need a lining or a different fabric. That choice can affect the garment's feel, cost and care. It is better to decide at the planning stage than after joining the main seams.\n\nFor shirt sewing fabric, also consider small details such as collars and cuffs. Follow the pattern's instructions for any support materials rather than expecting the main cloth alone to create every part of the finished shape.\n\nPatchwork and small craft projects\n\nWhite quilting fabric can give patterned blocks a shared background. This plain white cloth has no printed repeat to place, so you can focus on the size and arrangement of your pieces.\n\nBefore combining it with other fabrics, test how each one responds to washing. Differences in shrinkage or colour transfer can affect a finished project. Keep a few labelled offcuts if you want a description of the materials you used.\n\nCotton patchwork fabric is also useful for smaller plans where a full garment is not the goal. A sample block or a simple decorative panel lets you test your cutting and stitching without committing the whole piece.\n\nBunting is another listed use. Make a paper template first and lay it out across the available fabric. Include the seam allowance and any backing pieces when working out how many flags you can make.\n\nThink through bags and home accessories\n\nTote bags and cushion covers appear among the suggested projects, but their designs still need care. A bag intended for light items has different needs from one expected to carry heavy shopping. No load capacity is stated for this fabric.\n\nWhen considering fabric for tote bags, check the pattern's weight recommendation and handle construction. Do not assume that a suggested use makes the cloth suitable for every version of that item.\n\nFor cushion covers, measure the insert and plan the opening before cutting. An envelope back, zip or other closure changes the amount of cloth required. Check coverage over the insert as well, especially if it has a strong colour.\n\nCurtain lining and bedding accessories are also suggested uses. No blackout or thermal performance is stated. Choose it only where its documented qualities fit the project, not where a specialist performance claim is needed.\n\nA practical choice for learning\n\nIf you are learning to sew, a small project can tell you more than a large first attempt. This cotton craft fabric is listed for crafts, sewing and school textiles, giving you several possible starting points.\n\nChoose something with a clear shape and a manageable number of seams. Use an offcut to check your stitch settings, then inspect the result before sewing the main pieces. Your machine manual and project instructions should guide those settings.\n\nA plain surface also lets you see your marking and seam placement without a printed design in the way. Keep marking tools removable and test them first. Even on white cloth, a mark that seems faint can be hard to remove later.\n\nFor school textiles fabric, check the assignment before ordering. A course may require a particular weight, construction or finish that is not fully covered by the maker's description.\n\nInspect first, then prepare\n\nWhen the fabric arrives, inspect it while it is still unwashed and uncut. Check that the colour and piece size suit your plan. Keep the packaging until you have decided whether to keep it.\n\nThis order of steps matters because returns require the fabric to be unwashed, uncut, unused and in its original packaging. Washing first to assess the cloth can remove that return option for a change of mind.\n\nOnce you decide to keep it, prepare it for the care your finished item will need. Machine washing is listed, but the maker does not give a temperature or shrinkage rate. Follow any supplied instructions and test an offcut where possible.\n\nMeasure before and after your test if size stability matters to the design. Only then finalise the cutting layout.\n\nCare without guesswork\n\nMachine washable cotton fabric still needs care choices that suit the finished item. Other fabrics, trims or fastenings may need different handling, so consider the whole project rather than the main cloth alone.\n\nAn ironing temperature is not stated. Check any supplied directions and test heat on a small offcut before pressing the full piece. The same cautious approach applies to dyes, paints and printing treatments, whose results are not specified by the maker.\n\nStore unused cloth somewhere clean and dry. Keep it away from materials that might transfer colour, and save useful offcuts together. Small pieces can help with future stitch tests or repairs without using fresh fabric.\n\nDelivery, returns and the short version\n\nA delivery lead time is not specified by the maker. Check the information at checkout if your sewing project has a deadline, and leave time to inspect and prepare the cloth before starting.\n\nReturns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nThe short version is straightforward. This is one piece of white, plain-weave, 100% cotton fabric measuring 1 metre by 152 cm. It is a light-to-medium-weight option for a range of sewing projects. Choose it when that piece size and fabric type match your plan, and check any unstated qualities before committing to the cut.", "llm_summary": "This product is one piece of white, solid-colour, plain-weave fabric made from 100% cotton. The supplied piece measures 1 metre long and 152 cm (60 in) wide. It is described as light to medium weight, with a listed fabric weight of 140 GSM and an item weight of 145 g. Suggested uses include dressmaking, quilting, patchwork, bunting, tote bags, cushion covers and school textiles. Machine washing is listed, but wash temperature, shrinkage rate and opacity are not specified by the maker. Multiple quantities may not be supplied as one continuous length. Returns are available within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with return postage paid by the customer.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/white-cotton-fabric-1-metre/", "canonical_url": "https://fabricshop.irish/white-cotton-fabric-1-metre/", "json_url": "https://fabricshop.irish/api/products/white-cotton-fabric-1-metre.json", "updated_at": "2026-11-13" }, { "id": "cotton-blend-quilt-batting-50-x-280cm", "sku": "cotton-blend-quilt-batting-50-x-280cm", "title": "Cotton Blend Quilt Batting 50 x 280 cm", "slug": "cotton-blend-quilt-batting-50-x-280cm", "price": 26.99, "currency": "EUR", "availability": "in_stock", "category": "interfacing-and-wadding", "category_label": "Interfacing And Wadding", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "220 g", "images": [ "https://fabricshop.irish/dropship-images/interfacing-and-wadding/cotton-blend-quilt-batting-50-x-280cm/main-cotton-blend-quilt-batting-50-x-280cm.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/cotton-blend-quilt-batting-50-x-280cm/cotton-blend-quilt-batting-50-x-280cm-2.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/cotton-blend-quilt-batting-50-x-280cm/cotton-blend-quilt-batting-50-x-280cm-3.jpg" ], "description_short": "This single beige piece measures 50 x 280 cm and blends cotton with polyester for hand or machine sewing.", "description": "Start with the layer your project needs\n\nA quilt top can look finished long before the whole project is ready. Between that top and its backing, you still need an inner layer that suits the pattern, sewing method and care routine. Choosing that layer by name alone can leave you with a piece that is the wrong shape or has details you still need to check.\n\nThis cotton quilt batting comes as one beige piece measuring 50 x 280 cm. Its stated blend is 90% cotton and 10% polyester, and it is suitable for hand and machine sewing. Those facts give you a starting point, but the size deserves a close look before you order.\n\nThe piece is long and narrow. That shape may work for a runner, small quilted panels or several craft pieces laid out along its length. It is not a broad sheet simply because one side measures 280 cm. Begin with your pattern, then check whether its full batting layout fits.\n\nWhat batting does in a sewn project\n\nIn a typical quilt sandwich, batting sits between the top fabric and the backing. The layers are held together by stitching. The batting is part of the finished structure, so its size and care needs matter just as much as the fabrics you can see.\n\nQuilt wadding is another common name for this inner layer. When comparing products, look beyond the wording and read the measurements, composition and any stated sewing limits. Two products with similar names may have quite different thicknesses or recommended quilting distances.\n\nThe maker does not state the loft, thickness or maximum distance between quilting lines. Those are useful details when a pattern calls for a particular finish.\n\nRead the size as a layout, not just a number\n\nDraw a rectangle measuring 50 x 280 cm on your planning sheet. Then mark out the batting pieces your project requires. Include the allowances given in your pattern, which may call for batting that extends beyond the quilt top while you sew.\n\nFor example, a finished panel that is close to 50 cm wide may still need a wider batting piece during assembly. The finished size and the cutting size are not always the same. Check both before deciding that the piece will fit.\n\nTurning a pattern piece can sometimes help with a layout, but it does not create extra width. A large square panel cannot fit as one continuous piece if both of its required dimensions exceed 50 cm.\n\nThis is single piece quilt wadding, supplied in a fixed size. Do not base your plan on an assumed custom cut. If several small projects are sharing the piece, draw every required section before making the first cut.\n\nUnderstand the cotton and polyester blend\n\nThe stated composition is 90% cotton and 10% polyester. If you are searching for cotton blend quilt batting, that gives you a clear material ratio to compare with your pattern or personal preference.\n\nIt is not pure cotton batting. That distinction matters if you are choosing materials for a project with a strict fibre requirement. It also matters when buying a gift for someone who prefers a particular blend.\n\nComposition alone does not tell you the full behaviour of a batting. The maker does not give a shrinkage percentage, loft or weight per square metre. The listed item weight is 220 g, but that should not be treated as a stated fabric weight rating.\n\nThe colour is beige. Before using it under white, pale or loosely woven fabric, place the layers together in good light. A quick check for show-through is easier than finding an unwanted colour effect after quilting.\n\nChoose projects that fit the available information\n\nThe long shape makes table runner batting a sensible use to consider, provided your pattern fits within the measurements. Small patchwork panels and other fabric projects may also fit. Let the pattern guide the choice rather than assuming all batting works in every item.\n\nFor a craft project, ask what the inner layer needs to do. Is the pattern asking for batting, firm support or a particular thickness? These are different requirements. A material described as batting should not automatically stand in for every kind of interfacing or padding.\n\nTake extra care with projects meant to protect against heat. No heat-protection rating is stated here. Do not choose it for oven gloves or similar protective items on the assumption that its cotton content makes it suitable.\n\nThe same caution applies to specialist uses. Where a project calls for a tested material or a named certification, confirm that requirement separately. There are no stated certifications in the maker's description.\n\nPlan for hand or machine sewing\n\nThis batting is listed as suitable for both hand and machine sewing. Your chosen method can follow the pattern and the way you prefer to work.\n\nFor hand quilting, make a small sandwich using the actual top fabric, batting and backing. Try your intended needle and thread through all the layers. A sample tells you more about the feel of that combination than handling the batting on its own.\n\nFor machine quilting, use the same layered test. Check the stitch result and whether the layers stay where you want them. Consult your machine instructions if you need help selecting settings for the fabric stack.\n\nDo not assume a maximum quilting distance. The maker does not state one. If your design leaves large areas without stitching, get that detail confirmed before starting. It is much easier to change a drawn design than to rework a completed quilt.\n\nTreat upholstery as a separate decision\n\nCotton batting for upholstery is a useful search term, but it does not establish that a product suits every chair, cushion or padded surface. Upholstery projects can need different layers for comfort, shape and support.\n\nThe maker does not state a compression rating or upholstery fire test information. It also does not state thickness. If those details matter to the item you are making or repairing, confirm them before buying.\n\nDo not treat this batting as a replacement for seat foam or structural support. Start with the original construction or your upholstery instructions and identify the exact role of each layer. Then decide whether this piece meets the needs of that particular layer.\n\nFor a project with regulated material requirements, seek the relevant product information first. A general sewing description is not evidence that a material meets an upholstery standard.\n\nMake a sample before committing\n\nA small test piece can answer several practical questions at once. Layer the fabrics with the batting, sew a section of your planned design and inspect the result. Keep enough uncut material aside while you decide whether the combination suits your project.\n\nLook at the colour through the top fabric. Check the stitching from both sides. If the finished item will be washed, use the sample to see how your chosen materials behave together under the intended care routine.\n\nThis test does not replace missing technical information, such as a stated quilting distance. It does help you avoid committing the whole piece before you have tried your fabric combination.\n\nRemember that cutting, washing or using the fabric affects change-of-mind return eligibility. Check the size and visible condition first, while the piece is still unwashed, uncut and unused.\n\nMatch care to the whole finished item\n\nThe stated care instructions allow machine washing at 30°C and ironing at a moderate temperature. They also say not to tumble dry. Keep those limits with your project notes so you can refer to them after sewing.\n\nWashable quilt wadding does not make every finished item machine washable. The top fabric, backing, thread and trims may have stricter care limits. Follow the most restrictive instructions among all the materials you use.\n\nA prewashing procedure is not stated, and neither is a shrinkage rate. If your pattern depends on exact dimensions after washing, test a sample and check any preparation advice in the pattern before proceeding.\n\nKeep unused batting clean and dry. Store remaining pieces with their measurements and care notes so they are easier to assess for a later project.\n\nCheck delivery and returns before you cut\n\nA delivery lead time is not stated by the maker. Check the current delivery information for your address before planning a sewing date around the order.\n\nOnce it arrives, compare the piece with your project requirements before cutting or washing it. Returns are available within 14 days of delivery when the fabric is unwashed, uncut, unused and in its original packaging. The customer pays return postage for a change-of-mind return.\n\nFaulty or wrongly described goods are put right free of charge. Contact us with the order details if there is a problem, rather than trying to work around it by altering the piece.\n\nThe short version\n\nChoose this cotton polyester batting when your project calls for that blend and its required layout fits one 50 x 280 cm piece. It is beige, suitable for hand or machine sewing, and machine washable at 30°C with no tumble drying.\n\nCheck any need for a stated loft, quilting distance or specialist performance before ordering. Measure first, test your fabric layers when you are ready to proceed, and keep the finished item's full care needs in mind.", "llm_summary": "This cotton blend quilt batting is supplied as one beige piece measuring 50 x 280 cm. Its stated composition is 90% cotton and 10% polyester, and the listed item weight is 220 g. It is suitable for hand and machine sewing. The product details list a plain weave, solid pattern and quilted feature. Care instructions allow machine washing at 30°C and ironing at a moderate temperature, but not tumble drying. Thickness, loft, shrinkage rate, recommended quilting distance and country of origin are not specified by the maker. Returns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage; faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/cotton-blend-quilt-batting-50-x-280cm/", "canonical_url": "https://fabricshop.irish/cotton-blend-quilt-batting-50-x-280cm/", "json_url": "https://fabricshop.irish/api/products/cotton-blend-quilt-batting-50-x-280cm.json", "updated_at": "2026-11-13" }, { "id": "fusible-fleece-interfacing-120cm-x-1m", "sku": "fusible-fleece-interfacing-120cm-x-1m", "title": "Medium Weight Fusible Fleece, 120 cm x 1 m", "slug": "fusible-fleece-interfacing-120cm-x-1m", "price": 36.99, "currency": "EUR", "availability": "in_stock", "category": "interfacing-and-wadding", "category_label": "Interfacing And Wadding", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "370 g", "images": [ "https://fabricshop.irish/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/main-fusible-fleece-interfacing-120cm-x-1m.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-2.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-3.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-4.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-5.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-7.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-8.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/fusible-fleece-interfacing-120cm-x-1m/fusible-fleece-interfacing-120cm-x-1m-9.jpg" ], "description_short": "This one-sided iron-on fleece adds medium-weight support to larger bag panels, handles, bases and cushion projects.", "description": "When your fabric needs more body\n\nA fabric can look right for a bag yet feel too light once you start putting the pieces together. A large front panel may need support, or a handle may need another layer inside it. Choosing that inner layer is part of getting the finished feel you want.\n\nFusible fleece is one option when your pattern calls for added body with a fleece layer. This piece is medium weight and intended for larger bag parts, handles, bases and cushion projects. It is not recommended for small bags.\n\nThe useful starting point is your pattern, not the fleece alone. Check what the designer asks for, then compare the type, thickness and amount required. That small check can prevent a lot of unpicking later.\n\nWhat this piece gives you\n\nYou receive one piece of white fusible fleece measuring 120 cm wide and 1 metre long. It is made from 100% polyester, with a stated thickness of 1.3 mm. One side is fusible.\n\nThe maker describes the feel after January 2026 as medium-soft. That gives some guidance, but it is not a measured firmness rating. It also does not promise that a finished bag will stand upright without other support.\n\nThink of this as a layer within a larger construction. Your outer fabric, lining, pattern shape and seams all affect the result. Medium weight fusible fleece cannot tell you, on its own, exactly how a finished panel will feel.\n\nHow one-sided fusing works\n\nIron-on fleece interfacing has a fusible face that bonds to a compatible fabric when applied with heat. Because this product is fusible on one side, it is not intended to bond two fabrics together on opposite faces.\n\nThe exact application settings are not given by the maker. There is no stated iron temperature, pressing time or steam instruction to copy here. Use the instructions supplied with the piece rather than borrowing settings from a different interfacing.\n\nBefore working on your main fabric, test a small spare piece. Use the same fabric and fleece combination you plan to sew. Let the test cool, then check the surface and bond according to the application instructions. A successful test is more useful than an assumption based on how another product behaved.\n\nWho this fleece suits\n\nThis fleece is worth considering if you are making a larger bag and your pattern calls for medium-weight fusible fleece. Larger fronts and backs are among its stated uses. Handles and base reinforcement are also included.\n\nIt may also suit a cushion project where the pattern calls for a supported fabric layer. That does not mean every cushion needs interfacing. Some designs depend on the natural movement of the outer fabric, so check the intended construction first.\n\nThe product information specifically rules out small bags. If you are making a small pouch or another compact item, do not choose it simply because you have some left over. Find an interfacing that suits the pattern and the space inside its seams.\n\nMatch the support to the project\n\nBag making fleece is not a promise of a rigid finish. A supported panel and a hard base are different things. If your design needs a separate firm base, the maker's description does not say the fleece can replace it.\n\nLook closely at the areas where layers meet. A handle folded several times will contain more material than a flat front panel. A base seam may bring together outer fabric, lining and several supported edges.\n\nFollow your pattern's directions for these areas. If the pattern allows a sample, make one using the same layers. This helps you judge the feel and whether the construction suits your sewing setup before committing the full piece.\n\nPlan around the supplied size\n\nThe usable planning size given for this product is 120 cm wide by 100 cm long. It comes as one fixed-size piece.\n\nBefore ordering, mark out that area on a clean table or floor. Arrange your paper pattern pieces inside it, using the quantities required by your pattern. Include separate pieces for handles or base support where needed.\n\nDo not judge coverage from the front panel alone. A bag can have matching back panels, side sections and other parts that need support. A simple layout gives you a clearer answer than estimating from the overall finished bag size.\n\nKeep your pattern's cutting directions in mind as you arrange the pieces. Avoid changing those directions just to make everything fit.\n\nRead the measurements with care\n\nThere are two sets of measurements in the maker's description. The fleece itself is supplied as one piece measuring 120 cm by 1 metre. Separate listed product dimensions are 25.4 x 35.56 x 2.54 cm.\n\nThe maker does not explain the smaller dimensions. They should not replace the stated fabric size when you plan your cutting layout. If you need more detail about how the item is presented, ask before ordering.\n\nThe listed item weight is 370 g. This is not a stated grams-per-square-metre figure, so do not treat it as one. Likewise, the stated 1.3 mm thickness is not a prediction of the thickness after fusing or sewing. Those finished measurements are not provided.\n\nCheck your fabric before reaching for the iron\n\nA fusible product needs an outer fabric that can tolerate the required application method. The maker does not list every compatible fabric, so there is no basis for saying this fleece works with everything.\n\nCheck your fabric's care information and the supplied fusing instructions together. If they call for conflicting treatment, pause before applying heat. It is better to resolve a question on a spare piece than on a carefully cut bag front.\n\nWhite fusible fleece may also look different under different outer fabrics. If the appearance matters, examine your test in the light where the finished item will be used. Check the face of the fabric, not just whether the layers have bonded.\n\nCut with the construction in mind\n\nSome project directions may treat seam areas differently. The maker does not provide one cutting method for every design.\n\nKeep track of which face is fusible as you work. Before pressing, check the arrangement against the supplied instructions. Take particular care when working with pieces that look similar but face in different directions.\n\nFor fleece for bag handles, think about the final folded shape as well as the flat pattern piece. For bag panel support, consider where the supported panel meets other layers. These checks help you spot likely trouble before the project is assembled.\n\nCare starts before the first wash\n\nSpecific washing and drying instructions are not stated by the maker. That means there is no supported wash temperature or tumble-drying setting to recommend here.\n\nKeep the supplied instructions with your sewing notes. The finished project's care needs depend on more than the fleece. Outer fabric, lining and any other components may each have their own limits.\n\nBefore cleaning the finished item, check all those requirements together. If you are making it as a gift, pass along the confirmed care instructions. Avoid adding a care label based only on the polyester fibre content, because the fusible layer also needs to be considered.\n\nStore unused fleece somewhere clean and dry, with its instructions easy to find.\n\nBuying for a project or a sewing gift\n\nA sewing project stabiliser is a practical purchase when it matches a known pattern. If you are buying for yourself, check the required type and quantity before adding it to your project supplies.\n\nFor a gift, a little information about the recipient's plans helps. Someone making larger bags may have a use for this fleece, while someone focused on small bags may not. The stated small-bag restriction is worth keeping in mind.\n\nDelivery timing also matters if the piece is needed for a class or deadline. No delivery lead time is specified in the maker's description. Check the current delivery information when ordering in Ireland, rather than planning around an assumed arrival date.\n\nCheck before cutting\n\nWhen the piece arrives, confirm that it matches your order and your project needs before cutting, washing or using it. Keep the original packaging while you make that decision.\n\nReturns are accepted within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage for these returns. Faulty or wrongly described goods are put right free of charge.\n\nThis makes an early check worthwhile. If you are unsure whether the fleece matches your pattern, ask before taking the next step.\n\nThe short version\n\nChoose this white, one-sided polyester fusible fleece when your larger bag or cushion pattern calls for a medium-weight fleece layer. You receive one piece measuring 120 cm wide by 1 metre long, with a stated thickness of 1.3 mm.\n\nCheck your layout, test the application on spare fabric and follow the supplied instructions. For small bags, look for a different option. For larger projects, let the pattern and the feel of your test piece guide the decision.", "llm_summary": "This product is one piece of white medium-weight fusible fleece, measuring 120 cm wide and 1 metre long. It is made from 100% polyester, has a stated thickness of 1.3 mm and is fusible on one side. The maker describes a medium-soft feel after January 2026. Intended uses include larger bag fronts, backs, handles, base reinforcement and cushions. It is not recommended for small bags. The listed item weight is 370 g. Separate product dimensions listed as 25.4 x 35.56 x 2.54 cm. Exact fusing settings, washing instructions and country of origin are not specified by the maker. Returns are accepted within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging, with customer-paid return postage.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/fusible-fleece-interfacing-120cm-x-1m/", "canonical_url": "https://fabricshop.irish/fusible-fleece-interfacing-120cm-x-1m/", "json_url": "https://fabricshop.irish/api/products/fusible-fleece-interfacing-120cm-x-1m.json", "updated_at": "2026-11-13" }, { "id": "heavy-fusible-interfacing-90cm-x-3m", "sku": "heavy-fusible-interfacing-90cm-x-3m", "title": "Heavy White Fusible Interfacing 90 cm x 3 m", "slug": "heavy-fusible-interfacing-90cm-x-3m", "price": 29.99, "currency": "EUR", "availability": "in_stock", "category": "interfacing-and-wadding", "category_label": "Interfacing And Wadding", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "160 g", "images": [ "https://fabricshop.irish/dropship-images/interfacing-and-wadding/heavy-fusible-interfacing-90cm-x-3m/main-heavy-fusible-interfacing-90cm-x-3m.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/heavy-fusible-interfacing-90cm-x-3m/heavy-fusible-interfacing-90cm-x-3m-10.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/heavy-fusible-interfacing-90cm-x-3m/heavy-fusible-interfacing-90cm-x-3m-2.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/heavy-fusible-interfacing-90cm-x-3m/heavy-fusible-interfacing-90cm-x-3m-3.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/heavy-fusible-interfacing-90cm-x-3m/heavy-fusible-interfacing-90cm-x-3m-4.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/heavy-fusible-interfacing-90cm-x-3m/heavy-fusible-interfacing-90cm-x-3m-5.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/heavy-fusible-interfacing-90cm-x-3m/heavy-fusible-interfacing-90cm-x-3m-6.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/heavy-fusible-interfacing-90cm-x-3m/heavy-fusible-interfacing-90cm-x-3m-7.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/heavy-fusible-interfacing-90cm-x-3m/heavy-fusible-interfacing-90cm-x-3m-9.jpg" ], "description_short": "This white non-woven backing adds firm support and comes as one pre-cut piece measuring 90 cm wide by 3 metres long.", "description": "When fabric needs help holding its shape\n\nSometimes a fabric looks right but feels too soft for the job. A purse may need more body, a collar may need a sharper edge, or a costume detail may need to stand away from the garment. Interfacing adds support behind the fabric so you can change how that area behaves.\n\nThis heavy fusible interfacing is intended for a crisp, firm result. It is white, made from non-woven polyester and supplied as one piece measuring 90 cm wide by 3 metres long. It is a backing for structure, not a layer of soft padding.\n\nThe main question is whether that firm finish suits your project. More support is useful in some places, but it can change the feel of a fabric more than you expect. Start with the result you want, then choose the backing.\n\nWhat heavy interfacing changes\n\nInterfacing sits behind the outer fabric. In a finished project, its job is usually felt rather than seen. It can help a shaped section feel more defined or give a soft piece of cloth enough body for a structured design.\n\nHeavyweight fusible interfacing is worth considering for purses, hats, fabric boxes and other projects where a soft drape is not the aim. The maker's description also suggests belts, tailoring details, aprons and cushions. That does not mean every part of those projects needs reinforcement.\n\nThink about the exact area you want to change. A garment might need support only at a collar or waistband. A craft project might need backing across a larger panel. Follow your pattern's instructions where available, and check that it calls for a heavy rather than a lighter interfacing.\n\nWhat comes in this pack\n\nYou receive one pre-cut piece, 90 cm wide and 300 cm long. Those measurements matter when you are planning larger panels or several smaller pattern pieces.\n\nBefore buying, lay your pattern pieces within a 90 cm-wide space. Work out how much length the layout takes, using the cutting instructions for your project. Remember to allow for any test pieces you want to make before starting.\n\nThe product details list an item weight of 160 g. Treat that as the listed item weight, not as a measurement of fabric density. It does not tell you how stiff your chosen outer fabric will feel after bonding. A fused sample is a more useful guide to that.\n\nHow the iron-on backing works\n\nThis is single-sided fusible interfacing. One side bonds to the wrong side of the fabric when heat and pressure are applied. The supplied guidance describes that adhesive side as rougher and slightly shiny.\n\nIdentify the correct side before bringing the iron near it. Place the adhesive against the fabric, not against the iron. Take time to check the arrangement, especially when working with pale materials where the two sides may be less obvious.\n\nThe supplied method calls for a hot dry iron held firmly in one place for 10 to 15 seconds. Do not slide the iron or use steam. Move to the next area and repeat, then let the fabric cool before handling it.\n\nAn exact iron temperature is not stated. Your outer fabric must be able to tolerate the application method, so check its care information and test an offcut first.\n\nMake a small sample before committing\n\nA sample answers questions that a product description cannot. It shows how the backing changes your particular fabric, whether the white layer affects its appearance and whether the finished feel matches your plans.\n\nUse an offcut of the actual project fabric. Fuse a small piece of interfacing using the supplied method, then leave it to cool. Handle it as you would the finished item. Fold it, look at the surface and compare it with the unbacked fabric.\n\nIf the project will be washed, test the sample's care routine too. Machine washing is listed for this product, but no temperature or drying method is given. The outer fabric and other parts of the project may have stricter limits.\n\nThis extra step is especially useful for a visible garment detail. A finish that works well inside a purse may feel too stiff at a neckline.\n\nChoosing it for garments\n\nA fabric stabiliser for dressmaking should support the design without working against it. Heavy backing can suit a firm collar, cuff or waistband, but it is not the right choice simply because those parts often use interfacing.\n\nLook at your pattern first. Does it ask for a crisp result or a soft one? Is the outer fabric sturdy, or does it move freely? A heavy backing can change the drape, so it deserves a careful test on softer cloth.\n\nFor collar and cuff interfacing, compare a fused sample with the rest of the garment fabric. You want a deliberate difference in structure, not an unexpected one. If you are using waistband interfacing, also consider how the backed section feels when folded into its finished shape.\n\nChoosing it for bags and accessories\n\nInterfacing for bag making often has a different job from backing in a flowing garment. A purse panel or belt may benefit from a more defined shape, making this heavy option worth considering.\n\nStill, a backing is only one part of the construction. Do not assume that a fused fabric will hold a particular shape without the seams, lining or other support called for by your pattern. Check the design's material list before making substitutions.\n\nWhen choosing interfacing for purses, make a sample large enough to judge the feel of the combined layers. If the design includes folds or several seam layers, think about those areas too. The result should suit both the finished shape and the way you plan to sew it.\n\nHats, costumes and fabric crafts\n\nCaps, millinery and fascinators appear among the suggested uses. Interfacing for hats can help give fabric a firmer character, but different designs call for different levels of support. Use your pattern to judge whether this backing fits the job.\n\nCostume interfacing can be useful where a detail needs more definition. Test the backed fabric in the position it will sit, rather than judging only a flat sample on the table. Movement and folds can change how that firmness feels.\n\nFor home crafts, the suggested uses include bunting, cushions and fabric boxes. Decide which sections need structure and which should stay soft. A cushion project, for example, may call for support in a decorative detail rather than across every surface.\n\nUsing it around embroidery\n\nThe maker suggests iron-on embroidery backing as a possible use. That is a reason to test it, not a promise that it suits every machine, stitch design or fabric.\n\nThis product is not described as tear-away or wash-away stabiliser. Do not choose it for a project that depends on removing the backing in either of those ways. Check your embroidery instructions for the required stabiliser type.\n\nTry the planned stitching on a fused sample before starting the main piece. Look at both the surface and the feel of the fabric after stitching. If the backing gives more firmness than you want, reconsider it before committing a larger area.\n\nCare and storage\n\nThe product details say machine wash, but they do not give a wash temperature, tumble-drying setting or full care routine. Avoid treating that short instruction as permission to use any wash cycle.\n\nCare for the finished item according to all its materials. The outer fabric, trims and other components may set the limit. A tested sample is helpful when deciding how to clean something you have made yourself.\n\nStore unused pre-cut interfacing somewhere clean and dry, away from direct heat. Keep any application directions with it. Label smaller offcuts so you can identify the weight and type when you return to them for another project.\n\nCheck suitability before cutting\n\nIt is worth checking the pack and your project plan before making the first cut. If something seems wrong, raise it before using the material.\n\nFor change-of-mind returns, the stated period is 14 days from delivery. Fabric must be unwashed, uncut, unused and in its original packaging, with return postage paid by the customer. Faulty or wrongly described goods are put right free of charge.\n\nA delivery lead time is not specified by the maker. Check the delivery information for your address if the interfacing is needed for a class, gift or project deadline.\n\nThe short version\n\nChoose this white non-woven fabric backing when you need firm support and your fabric can tolerate an iron-on application. The pack contains one heavy pre-cut piece measuring 90 cm by 3 metres.\n\nPlan the layout, check your pattern and test the bond on scraps. Let the sample cool before judging it. Those simple checks help you decide whether this interfacing gives your project the shape and feel you want.", "llm_summary": "This heavy white fusible interfacing is supplied as one pre-cut piece, 90 cm wide and 3 metres long. The product details identify polyester and a non-woven construction, with a listed item weight of 160 g. It provides firm, crisp support for sewing and craft projects. Suggested uses include purses, caps, millinery, costumes, bunting, aprons, cushions, boxes, belts and tailoring. The single-sided fusible backing bonds to the wrong side of suitable fabric. Supplied directions call for firm pressure with a hot dry iron for 10 to 15 seconds, without steam or sliding, followed by cooling. Machine washing is listed, but wash temperature, drying method and exact iron temperature are not specified by the maker.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/heavy-fusible-interfacing-90cm-x-3m/", "canonical_url": "https://fabricshop.irish/heavy-fusible-interfacing-90cm-x-3m/", "json_url": "https://fabricshop.irish/api/products/heavy-fusible-interfacing-90cm-x-3m.json", "updated_at": "2026-11-13" }, { "id": "medium-fusible-interfacing-75cm-x-2m", "sku": "medium-fusible-interfacing-75cm-x-2m", "title": "Medium Fusible Interfacing 75cm x 2m", "slug": "medium-fusible-interfacing-75cm-x-2m", "price": 17.99, "currency": "EUR", "availability": "in_stock", "category": "interfacing-and-wadding", "category_label": "Interfacing And Wadding", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "75 g", "images": [ "https://fabricshop.irish/dropship-images/interfacing-and-wadding/medium-fusible-interfacing-75cm-x-2m/main-medium-fusible-interfacing-75cm-x-2m.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/medium-fusible-interfacing-75cm-x-2m/medium-fusible-interfacing-75cm-x-2m-2.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/medium-fusible-interfacing-75cm-x-2m/medium-fusible-interfacing-75cm-x-2m-3.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/medium-fusible-interfacing-75cm-x-2m/medium-fusible-interfacing-75cm-x-2m-4.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/medium-fusible-interfacing-75cm-x-2m/medium-fusible-interfacing-75cm-x-2m-5.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/medium-fusible-interfacing-75cm-x-2m/medium-fusible-interfacing-75cm-x-2m-6.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/medium-fusible-interfacing-75cm-x-2m/medium-fusible-interfacing-75cm-x-2m-8.jpg", "https://fabricshop.irish/dropship-images/interfacing-and-wadding/medium-fusible-interfacing-75cm-x-2m/medium-fusible-interfacing-75cm-x-2m-9.jpg" ], "description_short": "A single pre-cut piece of medium weight non-woven interfacing adds support to garment details, bags and fabric crafts.", "description": "A collar can be sewn neatly and still feel too soft. A waistband may need more hold, or a tote bag may fold in on itself when you wanted a clearer shape. In these cases, the outer fabric is only part of the picture. The layer behind it matters too.\n\nIron on interfacing adds support where a sewing project needs it. This medium weight option comes as one white, non-woven polyester piece measuring 75 cm wide and 2 m long. It is intended for garment details and fabric crafts, with a single-sided fusible backing that attaches using an iron.\n\nChoosing well starts with the result you want. A soft blouse facing and a firm bag base do not need the same feel, even if both need support. Here is how to judge whether this pack fits your project and how to approach the first test.\n\nWhat interfacing changes\n\nInterfacing sits behind the main fabric to give a selected area more body. It can help a collar keep its outline or make a cuff feel more defined. It can also support a facing, where the inside edge of a garment needs some control.\n\nThat does not mean every part of a project needs it. Your pattern may call for support in only a few places. Adding it more widely can change how the fabric hangs and feels, so follow the pattern unless you have a clear reason to adjust it.\n\nThink of interfacing as part of the fabric choice rather than a last-minute extra. Two samples made from the same outer fabric can feel quite different once different backing materials are attached. A small test tells you far more than the word “medium” alone.\n\nWhat is included in this pack\n\nYou receive one continuous pre-cut piece, 75 cm wide and 200 cm long. Plan your cutting layout around that fixed width and length.\n\nThe product details describe white polyester with a non-woven construction. The maker's description identifies this as the medium weight option and gives an item weight of 75 g. The item weight should not be treated as a grams-per-square-metre specification.\n\nThe listed dimensions give you a useful starting point for estimating coverage. Still, the number of pieces you can cut depends on their shapes and layout. Lay out your pattern pieces before assuming the pack will cover several projects.\n\nDecide how much support you need\n\nStart with your pattern's recommendation. If it asks for medium weight fusible interfacing, this product is in the right general category. If it asks for woven, stretch or sew-in interfacing, do not assume that a non-woven fusible option will behave the same way.\n\nNext, consider how the finished area should move. A collar needs enough body to look intentional, but you may still want it to feel soft against the neck. A tote bag may need more support than a garment facing, especially if you want a firm shape.\n\nThis is why a bonded sample is so useful. Feel it, bend it and compare it with the untreated fabric. Ask whether it gives the support you want without making the project feel too stiff. The right choice is the one that suits the design, not simply the firmest backing available.\n\nCheck your outer fabric first\n\nThe maker's details lists cotton, linen, denim and woven fabrics as suitable starting points. That is not a promise that every fabric in those groups will respond in the same way. Finishes, thickness and heat tolerance can vary.\n\nBefore using polyester interfacing on the final pieces, check whether your outer fabric can tolerate the required heat. The application guidance calls for a hot dry iron, but it does not state a numerical temperature. A heat-sensitive fabric needs particular care.\n\nAppearance matters as well as bonding. With thin or pale fabrics, check the sample from the right side in good light. White fusible interfacing may affect the look of a fabric, so make that check before committing to a large area.\n\nMake a sample before cutting everything\n\nKeep a scrap of the actual project fabric for testing. A different fabric from your scrap box will not tell you how the final combination behaves. Use a piece large enough to judge both the bond and the finished feel.\n\nIdentify the fusible side using any instructions supplied with the product. Position it against the wrong side of your test fabric. Make sure your work surface is appropriate for pressing and that the fabric can lie flat.\n\nFollow the stated application method, then let the sample cool before handling it. Once cool, look at both sides and feel the result. Check for changes you would not want on the finished garment or bag. If the sample is unsuitable, stop there rather than trying the same method on your cut pieces.\n\nPress, lift and let it cool\n\nThe supplied guidance calls for firm pressure with a hot dry iron for 10 to 15 seconds. Do not use steam. Hold the iron in place, then lift it and move to the next area rather than sliding it across the fabric.\n\nWorking this way lets you treat each section in turn. Take your time around edges and shaped pieces so that areas are not missed. Keep checking that your outer fabric is coping with the heat.\n\nCooling is part of the process, not an optional pause. Leave the work alone before lifting or bending it. If the backing does not stick, the reference guidance points to insufficient heat, steam or a sliding iron as possible causes. Recheck the test and method without pushing beyond the main fabric's heat tolerance.\n\nUsing it for garment details\n\nCollar interfacing is a good example of targeted support. The collar may need more definition than the body of the garment, so a backing layer can change that detail without changing the whole garment.\n\nCuffs, waistbands and facings are also listed applications. Use your pattern to decide which pieces receive interfacing and how they should be cut. Do not assume every layer of a collar or cuff needs backing.\n\nFor dressmaking interfacing, the feel against the body matters. Hold your cooled sample as well as looking at it. If it feels too firm for the garment you have in mind, reconsider the choice before sewing the supported sections into place.\n\nUsing it for bags and fabric crafts\n\nThe suggested uses extend to purses, tote bags, hats, costumes, aprons, cushions and fabric boxes. This gives you several possible uses for a remaining length, but each design still needs its own check.\n\nFor tote bag interfacing, compare the supported fabric with the shape you expect from the finished bag. Medium support may suit one design while another needs a different backing or extra structure. It is not a promise that any bag will stand upright.\n\nThe same applies to boxes and millinery. A listed use does not define the firmness of the finished object. Test a representative section and follow project instructions. This is interfacing rather than padded wadding, so choose it for support rather than cushioning.\n\nPlan your cuts and keep useful offcuts\n\nBefore cutting, arrange the required pattern pieces within the 75 cm width and 2 m length. Check the pattern's cutting notes, including any instructions about seam allowances or placement. A little planning can prevent a small piece from using up space needed for a larger one.\n\nCut only after you are satisfied with the sample. This matters for both the project and the stated return terms, which require change-of-mind returns to be uncut and unused.\n\nKeep useful offcuts together. Small pieces of iron on backing fabric may suit a later cuff, facing or craft detail, provided they meet that project's needs. Store them clean and dry, and keep the application instructions with them so you do not have to guess next time.\n\nCare and ordering checks\n\nMachine washing is listed in the product details, but no wash temperature or cycle is given. Your finished item also includes the outer fabric, thread and any trims. Choose care that suits the whole project, and test a bonded sample when the care result matters.\n\nA delivery lead time is not specified by the maker, so avoid planning around an assumed arrival date.\n\nThe supplied returns terms allow 14 days from delivery for unwashed, uncut, unused fabric in its original packaging. The customer pays return postage for those returns. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nThis pack provides one 75 cm by 2 m piece of white, medium weight, non-woven fusible interfacing. It is an option for supporting garment details and a range of fabric crafts.\n\nMatch it to your pattern, test it with your actual fabric, and judge the cooled sample before cutting the full project. Use a dry iron, press without sliding, and allow cooling time. Those checks help you choose support that works with your fabric rather than against it.", "llm_summary": "This medium weight iron-on interfacing is supplied as one continuous, flat-folded pre-cut piece measuring 75 cm wide and 2 m long. Product details list white polyester, non-woven construction, single-sided fusible attachment and an item weight of 75 g. Suggested uses include collars, cuffs, waistbands, facings, tote bags, purses, hats and fabric crafts. Application guidance calls for a hot dry iron, no steam, and stationary pressure for 10 to 15 seconds before moving to the next area. Allow cooling before handling and test a scrap first. Machine washing is listed, but a wash temperature is not specified. A numerical iron temperature, certification and country of manufacture are not specified by the maker.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/medium-fusible-interfacing-75cm-x-2m/", "canonical_url": "https://fabricshop.irish/medium-fusible-interfacing-75cm-x-2m/", "json_url": "https://fabricshop.irish/api/products/medium-fusible-interfacing-75cm-x-2m.json", "updated_at": "2026-11-13" }, { "id": "cotton-fat-quarter-bundle-7-piece", "sku": "cotton-fat-quarter-bundle-7-piece", "title": "Coffee Print Cotton Fat Quarter Bundle, 7 Pieces", "slug": "cotton-fat-quarter-bundle-7-piece", "price": 15.99, "currency": "EUR", "availability": "in_stock", "category": "quilting-fabrics", "category_label": "Quilting Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "150 g", "images": [ "https://fabricshop.irish/dropship-images/quilting-fabrics/cotton-fat-quarter-bundle-7-piece/main-cotton-fat-quarter-bundle-7-piece.jpg", "https://fabricshop.irish/dropship-images/quilting-fabrics/cotton-fat-quarter-bundle-7-piece/cotton-fat-quarter-bundle-7-piece-2.jpg" ], "description_short": "Seven printed cotton squares give you a choice of patterns for patchwork, small sewing projects and handmade gifts.", "description": "A small fabric project starts with the right pieces\n\nBuying fabric for a small project can leave you with an awkward choice. A long cut may be more than you need, while scraps might not be large enough for the pattern. A bundle of precut squares gives you a clear starting point, provided the size and print choices suit what you want to make.\n\nThis fat quarter bundle contains seven printed cotton pieces in coffee tones. Each piece measures 50 x 50 cm. The patterns include floral and geometric designs, giving you different prints to arrange without choosing every fabric separately.\n\nThe important part is matching the bundle to a project, rather than expecting it to fit any pattern. A small patchwork panel has different needs from a cushion cover or a bag. A few minutes spent checking measurements can save a disappointing cut later.\n\nWhat the fat quarter name means here\n\nFabric sellers use the term fat quarter for precut pieces, but the name alone should not decide your cutting plan. This product has a stated size of 50 x 50 cm per piece. These are square pieces, so use those measurements whenever you compare them with a pattern.\n\nThe bundle is not one continuous length. You cannot take a long, unbroken panel from several separate squares without joining them. That matters for projects such as curtains, large cushion panels or bag sections that need a single piece.\n\nFor patchwork, separate cotton fabric squares can be a useful format. You can divide each square into smaller shapes or use larger sections to show more of a print. Either way, the pieces will still need cutting to match your chosen pattern.\n\nHow the prints can work together\n\nThe bundle brings together seven prints in coffee tones. Floral quilting fabric can sit alongside geometric cotton fabric to give a project some contrast in pattern. The shared colour direction gives you a place to begin when deciding which prints to pair.\n\nBefore cutting, spread the pieces out where you can see them together. Try several arrangements. A print that looks quiet on its own might stand out beside a smaller pattern, while two busy designs may need more space between them.\n\nThink about the size of your finished patches too. A small patch shows only part of a design. A larger panel leaves more of the print visible. The maker does not state print scale, so inspect the fabric before deciding where each piece belongs.\n\nYou do not have to use every print in one project. Keeping a few pieces aside may suit your plan better than adding a pattern simply because it came in the pack.\n\nWho this bundle may suit\n\nThis printed cotton bundle is worth considering if you enjoy small sewing projects and want several patterns in a defined size.\n\nFor a beginner, a simple project makes it easier to focus on cutting and stitching. Look for clear instructions, a short supply list and pattern pieces that fit comfortably within the squares. Precut fabric gives you a starting size, but it does not replace the need to measure carefully.\n\nMore experienced sewers can assess the bundle against a specific plan, such as a patchwork panel or decorative detail. If you already have backing or lining fabric, check how it works with the coffee tones before committing to the layout.\n\nThis is less suited to a project that needs a large, uninterrupted piece. A square may look generous on a table but still be too small once folds and seam allowances are included.\n\nChoosing a first project\n\nStart with something whose fabric needs are easy to check. A pattern for a small patchwork item, doll garment or simple bag gives you a clear way to compare the available pieces with the required cuts.\n\nFor doll clothes, place every pattern section on the fabric before cutting the first one. Check whether any pieces must be cut on a fold and whether the print has a direction. A design that looks right upright may look different when turned sideways.\n\nFor a bag, think beyond the outer fabric. The pattern may call for lining, interfacing, straps and a closure. Those supplies are not listed as part of this bundle, so include them in your project plan.\n\nHandmade gift fabric should suit the recipient as well as the pattern. Coffee tones may fit their home or personal taste, but that is a preference to check rather than assume.\n\nPlanning patchwork and home accessories\n\nQuilting is one of the listed uses for this fabric. To see whether the bundle fits your quilt plan, work from the cutting instructions rather than the finished quilt size alone. Seams use fabric, and a cutting layout can leave offcuts that are too small for the next section.\n\nYou may also need separate backing and binding. The seven pieces should not be treated as a complete quilt kit. Check each part of your pattern and make a supply list before you start.\n\nFor patchwork cushion fabric, measure the insert and follow the cover pattern. An envelope back, zip opening or border can change the amount of fabric required. A 50 x 50 cm square does not automatically make a cover of the same finished size.\n\nA table runner offers another way to combine prints. Decide on its finished dimensions first, then calculate the patches, seams and backing. This helps you see whether you need extra table runner fabric before you cut into the bundle.\n\nCheck the cutting layout before sewing\n\nLay your pattern pieces on the fabric while they are still uncut. Include all repeated sections and any pieces that need a particular direction. This is especially helpful when several parts must come from the same print.\n\nKeep seam allowances in mind. Some patterns include them in the templates, while others ask you to add them. Read the instructions so you do not accidentally allow twice or leave them out.\n\nTry not to plan cuts right to the stated edges without checking the fabric in hand. Inspect each piece, measure it and decide whether any edge needs tidying. Then work from the usable area you have confirmed.\n\nIf you are combining this bundle with fabric from your own supplies, test the pairing before making the whole project. Appearance is one part of the choice. Care requirements also need to work together in the finished item.\n\nWhat the material details tell you\n\nThe fabric is listed as 100% cotton with a plain weave. Those facts help identify the material, but they do not answer every sewing question. A fabric weight per square metre, stretch specification and print scale are not stated.\n\nThe listed product weight is 150 g. That should not be read as a fabric weight rating or used to decide whether the material will give a bag enough structure. Follow the pattern's fabric advice and check whether it calls for added support.\n\nNo certification or country of origin is specified in the maker's description. If your project needs a particular standard, confirm it before buying. A general craft description is not a substitute for a stated requirement.\n\nWashing, pressing and storing your fabric\n\nMachine wash is the care method listed for this cotton craft fabric. The maker does not give a temperature, cycle, drying method or ironing setting. Check any directions that arrive with the pieces before choosing how to treat them.\n\nIf washing before sewing is part of your plan, test a small piece first. Check for changes in colour and size, especially before combining the prints with a pale fabric. No measured shrinkage or colourfastness result is supplied here.\n\nAfter any preparation, measure again before cutting. A pattern layout based on the original size may need adjusting if the usable area has changed.\n\nKeep unused pieces clean and dry, away from direct sunlight. Store offcuts together so you can find them when you need a small patch or decorative detail. Even modest leftovers may fit a later project, but keep their actual size in mind.\n\nDelivery, gifting and returns\n\nDelivery timing is not specified by the maker. Check the delivery information for your destination before planning a sewing session or choosing the bundle for a dated gift.\n\nAs a gift, the pack may suit someone who enjoys patchwork or smaller makes. The fixed piece size and coffee-tone prints are the main details to share, so the recipient can judge which patterns they might use.\n\nInspect the fabric before washing, cutting or sewing. Change-of-mind returns are available within 14 days of delivery only when it is unwashed, uncut, unused and in its original packaging. Return postage is paid by the customer. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nChoose this patchwork fabric bundle when seven 50 x 50 cm cotton squares fit your cutting plan and coffee-tone prints suit your project. It offers a selection for patchwork, doll clothes and other small makes, but larger items may need extra fabric.\n\nCheck the pattern first, inspect the pieces on arrival and confirm care directions before washing. That gives you a clear path from a bundle of prints to something you will enjoy making.", "llm_summary": "This fat quarter bundle contains seven printed cotton pieces in coffee tones. Each piece measures 50 x 50 cm. The maker's description identifies the fabric as 100% cotton with a plain weave, supplied as precuts. Patterns include floral and geometric designs, and the colour option is named #2 Coffee. The listed weight is 150 g. Suggested uses include patchwork, quilts, bags, doll clothes, cushion covers, table runners and seasonal decorations, subject to pattern requirements. Machine wash is the stated care method. Wash temperature, drying instructions, fabric weight per square metre, origin and certifications are not specified by the maker. Delivery timing is not specified. Returns are available within 14 days of delivery under the stated fabric conditions.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/cotton-fat-quarter-bundle-7-piece/", "canonical_url": "https://fabricshop.irish/cotton-fat-quarter-bundle-7-piece/", "json_url": "https://fabricshop.irish/api/products/cotton-fat-quarter-bundle-7-piece.json", "updated_at": "2026-11-13" }, { "id": "floral-cotton-fabric-squares-6-piece", "sku": "floral-cotton-fabric-squares-6-piece", "title": "Floral Cotton Fabric Squares, 6-Piece Pack", "slug": "floral-cotton-fabric-squares-6-piece", "price": 22.99, "currency": "EUR", "availability": "in_stock", "category": "quilting-fabrics", "category_label": "Quilting Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "170 g", "images": [ "https://fabricshop.irish/dropship-images/quilting-fabrics/floral-cotton-fabric-squares-6-piece/main-floral-cotton-fabric-squares-6-piece.jpg", "https://fabricshop.irish/dropship-images/quilting-fabrics/floral-cotton-fabric-squares-6-piece/floral-cotton-fabric-squares-6-piece-2.jpg", "https://fabricshop.irish/dropship-images/quilting-fabrics/floral-cotton-fabric-squares-6-piece/floral-cotton-fabric-squares-6-piece-3.jpg", "https://fabricshop.irish/dropship-images/quilting-fabrics/floral-cotton-fabric-squares-6-piece/floral-cotton-fabric-squares-6-piece-4.jpg", "https://fabricshop.irish/dropship-images/quilting-fabrics/floral-cotton-fabric-squares-6-piece/floral-cotton-fabric-squares-6-piece-5.jpg", "https://fabricshop.irish/dropship-images/quilting-fabrics/floral-cotton-fabric-squares-6-piece/floral-cotton-fabric-squares-6-piece-6.jpg" ], "description_short": "Start your next small sewing project with six floral cotton fabric pieces.", "description": "Start with the project, not just the print\n\nFinding fabric for a small sewing project can be harder than it sounds. You may want a mix of prints without buying a long length of each one. Or you might have a simple pattern in mind but need to know whether a precut pack will give you enough usable fabric.\n\nThese cotton fabric squares offer a defined starting point.\n\nThat makes planning important. A square can provide room for smaller pattern pieces, but it cannot replace a long panel simply because the total amount of fabric looks similar. Before choosing the pack, think about the shapes you need to cut and where the seams will fall.\n\nWhat you get in the pack\n\nThe product details list cotton fabric with a plain weave, floral patterns and a patchwork theme. The pieces arrive as precuts, so the starting format is already set. You can use a piece whole where a pattern allows, or cut it into smaller shapes.\n\nThe listed item weight is 170 g. This does not tell you the fabric weight per square metre, so it should not be used to judge thickness or drape. Thread count, opacity and shrinkage are not specified either.\n\nThere is also a listed feature described as quilted. The maker does not explain that construction or confirm a batting layer. If your project depends on padded or already quilted fabric, ask for clarification before ordering rather than treating the term as proof of a finished layered material.\n\nHow precut squares work for patchwork\n\nPatchwork joins smaller fabric shapes into a larger design. A patchwork fabric pack gives you several prints to arrange, compare and cut without starting with separate lengths from a roll.\n\nBegin by placing the floral squares beside one another. Look at the contrast between the prints and notice whether any design has a clear direction. Turning a piece can change how the pattern reads, even when the fabric shape stays the same.\n\nThen compare that layout with your sewing pattern. Seam allowances reduce the finished size of every joined piece. Trimming and any changes during preparation may reduce the usable area too.\n\nFor a first project, a simple layout is easier to check than a design with many small angles. You can focus on cutting and joining accurately while still making use of the different floral prints.\n\nWho this pack may suit\n\nThis small project fabric pack is worth considering if you enjoy trying print combinations. Six separate pieces give you options for a mixed design or several smaller makes, depending on the pattern you choose.\n\nIt may also suit someone returning to sewing who wants a manageable project. A defined piece size makes it easier to sketch a cutting plan and see what is possible before starting.\n\nMore experienced makers might look at the pack for accents or small sections within a larger project. Floral cotton fabric can provide contrast, but it still needs to suit the other fabrics and the intended use.\n\nIt is less useful when a pattern needs broad, unbroken panels. If your design depends on a continuous length, buying separate squares will not solve that need unless you deliberately add joins.\n\nCheck the cutting plan before buying\n\nThe most useful measurement here is the size of each individual piece. Draw a 50 x 50 cm square on paper at a suitable scale, then place your pattern shapes inside it. Repeat that exercise for the pieces you intend to use.\n\nInclude seam allowances if they are not already built into the pattern. Leave room for trimming edges where needed, and think about whether the floral motifs must face a particular way.\n\nA pattern piece that fits when turned sideways may not give you the print direction you want. The same applies if you hope to place one flower or motif at the centre of a panel.\n\nDo not assume every offcut will be useful for the same project. Some narrow scraps may work for a later detail, but your main cutting plan should stand on its own without relying on perfect use of every edge.\n\nChoose a small project with clear requirements\n\nThere are many ways to use fabric for small sewing projects, but the pattern should lead the decision. A small pouch, a patchwork panel or an applique design may fit within these pieces. Each idea still needs its own measurement check.\n\nFor a cushion cover, work out both the front and the back. An opening or overlap can need more fabric than you expect. If you plan to use the floral pieces only on the front, account for a separate backing.\n\nFor a quilt, check the block sizes and the number required. Floral quilting squares do not automatically make a complete quilt kit. Backing, binding and any batting must be considered separately.\n\nThe same care applies to clothing. Small panels or details may fit, but larger garment sections may not. Because drape and opacity are not stated, avoid choosing a garment solely from the cotton description.\n\nMake the floral designs work together\n\nA floral fabric bundle can look quite different once the pieces are spread out. Give yourself time to see the designs together before cutting into them.\n\nTry moving the prints around rather than settling on the first arrangement. You might prefer one design as a focal point and others in smaller sections. Alternatively, equal-sized blocks may give the mixed prints the balance you want.\n\nTake a photo of a layout you like. It provides a simple reference while you move pieces to the sewing machine or clear your work surface.\n\nIf you intend to combine this pack with fabric you already own, compare them in person before committing to a final plan. The maker's description provides a colour reference, Color 9012#, but no written colour breakdown. Do not rely on that code alone for an exact match.\n\nPreparing the fabric without guessing\n\nMachine washing is listed in the product care information. A wash temperature, drying method and shrinkage allowance are not provided, so there is no sound basis for giving one fixed preparation routine.\n\nCheck any care label supplied with the pack. Your pattern may also have preparation advice, especially if the finished item will be washed often or combines several fabrics.\n\nIf you choose to test washing or pressing, use an offcut where possible. Keep in mind that cutting an offcut means the fabric is no longer uncut for a change-of-mind return. Decide whether the pack suits your needs before starting that stage.\n\nAfter preparation, measure again. Accurate cutting should be based on the fabric in front of you, rather than an assumption that every piece has stayed unchanged.\n\nSewing and keeping track of pieces\n\nOnce you have settled on a layout, organise the cut pieces so they stay in the right order. A photo, a simple sketch or separate groups on your work surface can help.\n\nFollow your pattern for seams and construction. Where a technique is new to you, try it on a spare piece first. This is especially useful before adding topstitching or making a detail that will be hard to undo.\n\nTreat pressing as something to check, not guess. An ironing setting is not stated by the maker, so consult the maker's details and test before pressing the main pieces.\n\nKeep useful offcuts together after the project. A small piece may suit a repair or an applique detail later, although its size and condition will determine what is practical.\n\nBuying as a gift and checking on arrival\n\nFabric for handmade gifts can mean either material for your own project or a gift for someone who sews. For the latter, think about their habits. Someone who enjoys patchwork may have more use for separate squares than someone who mainly makes large garments.\n\nOn arrival, inspect the pack before washing or cutting. Check the number of pieces, the designs and the measurements against your project needs. Keep the original packaging while you decide.\n\nA delivery lead time is not stated by the maker, so check the information available for your address before planning around a deadline.\n\nReturns are available within 14 days from delivery when the fabric is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nThe short version\n\nThe precut format gives you a clear starting size and several designs to arrange.\n\nCheck your cutting plan, allow for seams and confirm any care details before preparing the fabric. With those decisions made first, you can spend more of your sewing time on the part you chose the fabric for: making something of your own.", "llm_summary": "This pack contains six cotton fabric pieces in different floral designs. Each piece measures 50 x 50 cm and is supplied as a precut, not as The product details list cotton material, a plain weave, a patchwork theme and machine-wash care. The listed item weight is 170 g, and the colour reference is Color 9012#. Intended uses include small sewing, quilting, patchwork and craft projects. Fabric weight per square metre, shrinkage, country of origin and washing temperature are not specified by the maker. Returns are available within 14 days from delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/floral-cotton-fabric-squares-6-piece/", "canonical_url": "https://fabricshop.irish/floral-cotton-fabric-squares-6-piece/", "json_url": "https://fabricshop.irish/api/products/floral-cotton-fabric-squares-6-piece.json", "updated_at": "2026-11-13" }, { "id": "natural-calico-fabric-3-metres", "sku": "natural-calico-fabric-3-metres", "title": "Natural Calico Fabric 3 Metres", "slug": "natural-calico-fabric-3-metres", "price": 59.99, "currency": "EUR", "availability": "in_stock", "category": "quilting-fabrics", "category_label": "Quilting Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "749 g", "images": [ "https://fabricshop.irish/dropship-images/quilting-fabrics/natural-calico-fabric-3-metres/main-natural-calico-fabric-3-metres.jpg", "https://fabricshop.irish/dropship-images/quilting-fabrics/natural-calico-fabric-3-metres/natural-calico-fabric-3-metres-2.jpg", "https://fabricshop.irish/dropship-images/quilting-fabrics/natural-calico-fabric-3-metres/natural-calico-fabric-3-metres-3.jpg", "https://fabricshop.irish/dropship-images/quilting-fabrics/natural-calico-fabric-3-metres/natural-calico-fabric-3-metres-4.jpg", "https://fabricshop.irish/dropship-images/quilting-fabrics/natural-calico-fabric-3-metres/natural-calico-fabric-3-metres-5.jpg" ], "description_short": "One 3-metre piece of unbleached cotton, 160 cm wide, gives you a plain base for pattern tests, crafts and lining.", "description": "Start with the job you need the fabric to do\n\nCutting into your chosen project fabric can feel like a big step, especially when you have not used the pattern before. A sleeve may need adjusting. A bag may need a wider base. Sometimes you only find a problem once flat pieces become a sewn shape.\n\nCalico fabric gives you another way to work through those questions. You can use it to make a test version, practise a construction step or try a surface design before starting the main piece.\n\nThis product is one piece of natural, unbleached cotton calico, 3 metres long and 160 cm wide. It is a fixed length, so start by checking whether your planned pieces fit within those measurements. Think about preparation and shrinkage too, rather than treating every centimetre as ready-to-cut fabric.\n\nUnderstand what this calico offers\n\nThe fabric is 100% cotton with a plain weave. It has a solid natural colour and is described as medium weight at 150 gsm. Those details are more useful than a broad claim that one cloth can do every job.\n\nPlain weave calico gives you a surface without a printed pattern to match. For a test garment, that means your attention can stay on the shape and seams. For a craft project, it gives you a natural-coloured starting point for your own design.\n\nThe fabric is unbleached and unpreshrunk. Its creamy base is not the same as bright white, which matters if your plans involve pale paint or printed colours. It also needs preparation before you cut pieces that must finish at a set size.\n\nUse a mock-up to answer specific questions\n\nA toile is a test version of a garment. It helps you check a pattern before you commit to your final fabric. You might make the whole garment, or only the section that needs work.\n\nFor example, you could test the fit of a bodice without finishing every edge. You could also check pocket placement or practise joining awkward pieces. The aim is to learn something useful, not to create a polished copy at this stage.\n\nCalico for toiles works best when you understand the limits of the test. Compare this fabric with your intended final cloth. A medium-weight cotton mock-up cannot show exactly how a stretchy knit or flowing fabric will behave. It can still help with construction, but it will not answer every question about drape or movement.\n\nCheck your layout before choosing a length\n\nThis piece measures 3 metres by 160 cm before any washing-related change. The extra wide calico format may give larger pattern pieces more space, but width alone does not tell you whether a whole project will fit.\n\nLook at the fabric requirements on your pattern. Check which fabric width those requirements assume. Then consider the layout, including any pieces that must be placed on a fold or cut in a particular direction.\n\nLeave room for seam allowances if your pattern does not already include them. You may also want an offcut for testing stitches or paint. If the layout only fits with no spare room at all, review it before buying. Unpreshrunk cotton needs some allowance for preparation, and the maker does not give a shrinkage percentage.\n\nMatch the weight to your project\n\nMedium weight calico can be considered for pattern tests, lining, cotton bags and home décor. These are starting points, not a promise that the fabric suits every design in those groups.\n\nA lining should work with the outer fabric rather than change its shape in an unwanted way. If the project calls for a very light lining, check whether this cotton gives the feel you want. If you are making a bag, think about the handles, seams and intended contents as well as the main panels.\n\nThe listed fabric weight is 150 gsm. That describes weight per square metre. The separate item weight of 749 g is not a substitute for it when comparing fabrics. Use the gsm figure alongside the weave and fibre content to make a more useful comparison.\n\nConsider crafts beyond garment sewing\n\nCotton craft fabric can be useful when you want to make the design yourself. This calico is described as suitable for dyeing, painting and printing, so it offers several possible routes.\n\nA painted panel, a printed bag or a simple sewn decoration will each ask something different of the fabric. Decide what the finished object needs before choosing your method. Will it be washed? Does it need to fold neatly? Is an exact colour important?\n\nTreat a small offcut as part of the project, not as waste. It lets you see how your chosen process behaves on this unbleached craft fabric. Keep notes on the materials and steps you use so you can repeat a result you like.\n\nPlan painting and printing around the natural colour\n\nThe creamy shade is part of the fabric, not a blank white background. That distinction can change the look of a design, particularly where the fabric shows through.\n\nWhen testing calico for painting, use the same preparation you plan for the finished piece. Try the paint at the intended thickness and let it dry as directed. If the paint requires heat fixing or another finishing step, follow its instructions.\n\nThe same care applies to calico for printing. Test the detail and colour before working on a large area. A successful trial should include any fixing or washing steps required by the ink. The maker does not promise a particular printed result or colourfastness.\n\nPre-wash before you measure for cutting\n\nThis fabric has not been preshrunk. Pre-washing gives natural shrinkage a chance to happen before you turn the cloth into carefully measured pieces.\n\nFirst, inspect the fabric and decide whether it is right for you. Washing changes its return eligibility, so do not use pre-washing as a way to assess a purchase you may want to send back.\n\nOnce you have decided to keep it, follow the care instructions. The product care field specifies hand wash only. Allow the fabric to dry, then measure what you have available. Build your cutting plan around those prepared measurements rather than assuming the original size remains unchanged.\n\nNo shrinkage percentage is supplied. It would be misleading to promise a precise finished length after washing.\n\nKeep the sewing process focused\n\nBefore cutting your main pieces, try a seam on an offcut. Check your machine setup against its guidance and look at the result. Make any needed adjustments before moving to the project.\n\nFor sewing mock-up fabric, mark the details that will help you assess the pattern. These may include seam lines, fitting points or pocket positions. Test any marking tool first so you understand how it behaves on the natural surface.\n\nIf you make changes during fitting, description them on the pattern as well as the test piece. That small habit makes the toile useful later. Otherwise, it is easy to forget which adjustment solved the problem when you return to cut your final fabric.\n\nKnow which claims are not given by the maker\n\nA useful fabric description should make its limits clear. Country of origin is not specified by the maker, and no certifications are given.\n\nThere is also no stated abrasion rating or bag load capacity. Upholstery priming is a suggested use, but that does not mean the calico has been tested as a finished covering for frequently used seating.\n\nFor projects with special requirements, ask for the evidence you need before ordering. That is especially important when a pattern, client brief or intended use calls for a certified material. A plain cotton description cannot stand in for a test result.\n\nCheck the order while it is still returnable\n\nWhen the fabric arrives, check it before washing or cutting. Confirm that the piece matches what you ordered and look for any issue that needs attention.\n\nThe return period is 14 days from delivery. For a change-of-mind return, the fabric must be unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nDelivery timing is not specified by the maker. If you are working towards a class, gift or event, check the delivery information for your address before making plans around an arrival date.\n\nThe short version\n\nChoose this natural cotton fabric when your project calls for a plain, unbleached, medium-weight base. You receive one piece, 3 metres long and 160 cm wide, for uses such as pattern tests, lining and crafts.\n\nCheck the layout first, inspect before washing, and allow for shrinkage before cutting. For dyes, paint or printing, start with an offcut. Those simple steps help you decide whether the fabric suits the job before you commit the whole piece.", "llm_summary": "This natural calico fabric is supplied as one piece measuring 3 metres long and 160 cm wide. It is unbleached, unpreshrunk, 100% cotton with a plain weave and a solid natural colour. The fabric is described as medium weight at 150 gsm, with a listed item weight of 749 g. Suggested uses include toiles, pattern testing, lining, craft projects, cotton bags and home décor. It can be dyed, painted or printed. Product care details specify hand washing, and pre-washing is recommended to allow for shrinkage. Country of origin and shrinkage percentage are not specified by the maker. Returns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/natural-calico-fabric-3-metres/", "canonical_url": "https://fabricshop.irish/natural-calico-fabric-3-metres/", "json_url": "https://fabricshop.irish/api/products/natural-calico-fabric-3-metres.json", "updated_at": "2026-11-13" }, { "id": "black-faux-leather-vinyl-fabric-2-metres", "sku": "black-faux-leather-vinyl-fabric-2-metres", "title": "Black Grained Faux Leather Fabric, 2 Metres", "slug": "black-faux-leather-vinyl-fabric-2-metres", "price": 73.99, "currency": "EUR", "availability": "in_stock", "category": "upholstery-fabrics", "category_label": "Upholstery Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "1.4 kg", "images": [ "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-faux-leather-vinyl-fabric-2-metres/main-black-faux-leather-vinyl-fabric-2-metres.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-faux-leather-vinyl-fabric-2-metres/black-faux-leather-vinyl-fabric-2-metres-2.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-faux-leather-vinyl-fabric-2-metres/black-faux-leather-vinyl-fabric-2-metres-3.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-faux-leather-vinyl-fabric-2-metres/black-faux-leather-vinyl-fabric-2-metres-4.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-faux-leather-vinyl-fabric-2-metres/black-faux-leather-vinyl-fabric-2-metres-5.jpg" ], "description_short": "A single 2-metre piece of grained black leatherette offers a practical starting point for upholstery, bags and clothing projects.", "description": "Start with the project, not just the colour\n\nA worn seat or an unfinished bag pattern can send you looking for black faux leather fabric. The colour may be easy to choose, but getting the right material takes a little more thought. You need enough fabric for the shape, a finish that suits the design and a way to join it that works with your tools.\n\nThis product is one piece of grained black faux leather, 2 metres long and 140 cm wide. It is a fixed-size piece rather than a custom cutting service. That makes your first task simple: check whether your pattern fits before you buy.\n\nThink about how the finished item will be used, too. An occasional craft project has different needs from a seat used every day. This guide explains what is stated about the fabric and where you may need more information.\n\nWhat the leather-look finish gives you\n\nThe surface is described as grained, with a solid black colour. That means the visual detail comes from texture rather than a printed pattern. It is an option to consider when you want a leather-look surface without choosing genuine leather.\n\nThe maker's description uses the terms faux leather, vinyl and leatherette. Polyester is the stated material, but the exact coating composition is not given. Those names tell you the general product type, not every detail of its construction.\n\nIf a particular coating or backing is important to your project, ask before ordering. Do the same if you need a precise colour match to existing furniture. A black finish alone does not establish that two different fabrics will match in shade, grain or sheen.\n\nUnderstand the size before planning a cut\n\nThe supplied piece measures 200 cm by 140 cm. Sketch that rectangle on paper, then draw in every part of your project. Include hidden sections as well as the visible face.\n\nFor a seat, the top panel is only part of the job. You may need fabric for the sides and enough extra to fold or secure underneath. A bag can need a base, handles, pockets and several seam allowances. These smaller sections can change whether the layout fits.\n\nDo not treat the full width as available for every finished panel without checking your allowances. Leave room for the way your pattern is assembled. If two panels need to sit beside each other, compare their combined width with the piece before committing.\n\nPaper templates can make this easier. Move them around within a marked rectangle and check the layout twice. It is much less frustrating to find a space problem on paper than after the first cut.\n\nCheck thickness and layers together\n\nThe approximate thickness is 0.8 mm. That is useful information, but a finished seam may contain several layers, especially around folded edges, straps or corners.\n\nWhen assessing faux leather sewing fabric, think about the thickest section your machine will have to handle. A flat panel and a folded bag handle are very different sewing tasks, even when they start with the same material.\n\nMachine compatibility is not specified by the maker. Check your machine manual and test the planned layers on an offcut. Look at how the fabric feeds, whether the stitches form properly and whether the finished seam looks suitable.\n\nThe listed item weight is 1.4 kg. Do not use that number as a substitute for a fabric weight per square metre or a measure of strength. Those are different specifications.\n\nIs it right for upholstery?\n\nUpholstery is a stated use, so this leathercloth fabric is worth considering for furniture projects. Still, the word upholstery does not answer every question about wear, safety or installation.\n\nStart by measuring the furniture. For a small seat, check the top, side depth and fixing allowance. For larger pieces, map each panel separately. A single 2-metre piece should not be assumed to cover a whole chair or sofa.\n\nNext, consider the setting. The maker does not provide an abrasion test result or fire certification. If your furniture must meet a particular standard, confirm the required evidence before buying.\n\nThe same caution applies to upholstery repair fabric. A new patch may differ from the surrounding cover in texture or appearance. Think about whether a visible contrast is acceptable, or whether replacing a full panel would better suit the project.\n\nBags, accessories and clothing\n\nBags and clothing are also listed uses. For a bag, the solid black finish leaves room for details such as contrasting thread, lining or hardware. Those extras are separate project choices, not items included with the fabric.\n\nPlan stress points before cutting. Handles, closures and the base may need a construction method that your pattern explains. Test the relevant seam rather than judging the material only as a flat sheet.\n\nFor clothing, check the pattern's fabric requirements closely. The maker does not state stretch, breathability or drape. If the design depends on one of those properties, do not assume this material will supply it.\n\nSmall accessories can be a useful way to assess textured vinyl material before attempting a larger make. Even then, plan carefully. A small object with tight corners or several folded layers can be more demanding than a broad, simple panel.\n\nChoose a joining method before you start\n\nThe fabric is described as suitable for cutting, sewing or gluing. That gives you options, but it does not mean every adhesive or sewing setup will work equally well.\n\nIf you plan to sew, prepare a small test with the same number of layers as the finished item. Use your machine's guidance to choose suitable equipment. Check both sides of the stitching before moving to the main panels.\n\nIf you plan to glue, choose an adhesive intended for the materials being joined. Follow its instructions and test it on an offcut first. Allow the test to finish curing before judging the result.\n\nKeep the test piece if you can. It gives you a reference for later steps and a place to try a cleaning method without risking the finished project.\n\nKeep the grain direction consistent\n\nA solid colour does not remove the need for a careful layout. With grained faux leather fabric, turning one panel may change how the surface looks beside another.\n\nBefore cutting, place matching panels in a consistent direction and view them together. This matters most where two pieces meet on a visible face. Mark orientation on your paper pattern so you can keep track as you work.\n\nLay the fabric flat and support the piece while measuring. Check the outline before making permanent cuts. Avoid marking the visible face until you have tested how your chosen marking method behaves.\n\nWork in a clear space where the whole panel can rest without pulling over an edge. Careful handling at this stage can help you avoid mistakes that no amount of extra stitching will fix.\n\nKnow the limits of water and wear claims\n\nThe source describes the material as waterproof and lists durability as a feature. However, no water test rating, abrasion score or expected service life is supplied.\n\nA fabric description also does not establish the performance of a finished item. Stitch holes, joins and exposed edges can affect how a cover behaves around water. Do not assume a sewn seat cover will keep its contents dry.\n\nOutdoor use needs a separate check. UV resistance and an outdoor-use rating are not specified. If you are looking for fabric for seat covers on exposed garden furniture, ask for that information rather than treating a water-related description as an outdoor guarantee.\n\nThis is especially important when replacing material that had a known technical specification. Compare the actual requirements, not just the surface appearance.\n\nCare without unnecessary heat\n\nThe stated care guidance allows hand washing or machine washing at a low temperature. It also says not to bleach, tumble dry or iron the fabric. Follow any instructions supplied with your piece.\n\nDo not try to press out folds with an iron. Direct heat is not supported by the care guidance. If the fabric arrives with creases that concern you, ask for advice before attempting a treatment.\n\nFor a finished project, remember that the other components matter too. A lining, adhesive, filling or fastening may have its own care limits. Use a cleaning method that suits the whole item, not just the outer fabric.\n\nDry cleaning is listed as possible, but no process is specified. Check the supplied guidance and consult a professional cleaner before arranging it.\n\nInspect first and keep your options open\n\nWhen the fabric arrives, check its size, appearance and condition before washing or cutting. Compare it with your pattern and any existing material you hope to match. Keep the original packaging while you make that decision.\n\nReturns are available within 14 days of delivery for fabric that is unwashed, uncut, unused and in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.\n\nNo delivery lead time is specified in the maker's description. If you are working towards an event or giving the material as a gift, check the delivery estimate before ordering. Leave time to inspect it before the project begins.\n\nThe short version\n\nChoose this black leatherette fabric when its grained finish and fixed 2-metre by 140 cm size suit your plan. Polyester is the stated material, and the approximate thickness is 0.8 mm.\n\nMeasure every panel, test your joining method and confirm any performance requirements that are not stated. Keep the piece uncut until you are satisfied it fits the job. A little planning at the start gives you a clearer path from a sheet of fabric to a finished project.", "llm_summary": "This product is one piece of black grained faux leather vinyl fabric measuring 2 metres long and 140 cm wide. The stated material is polyester, with an approximate thickness of 0.8 mm and a listed item weight of 1.4 kg. It has a solid pattern and is described for upholstery, bags and clothing. Cutting, sewing and gluing are listed working methods. Care guidance allows hand washing or machine washing at a low temperature, without bleach, tumble drying or ironing. Coating composition, abrasion ratings, fire certification and country of origin are not specified by the maker. Returns are allowed within 14 days of delivery for unwashed, uncut, unused fabric in its original packaging. The customer pays return postage. Faulty or wrongly described goods are put right free of charge.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/black-faux-leather-vinyl-fabric-2-metres/", "canonical_url": "https://fabricshop.irish/black-faux-leather-vinyl-fabric-2-metres/", "json_url": "https://fabricshop.irish/api/products/black-faux-leather-vinyl-fabric-2-metres.json", "updated_at": "2026-11-13" }, { "id": "black-shade-cloth-90-percent-1m-x-2m", "sku": "black-shade-cloth-90-percent-1m-x-2m", "title": "90% Shade Cloth Panel with Grommets, 1 m x 2 m", "slug": "black-shade-cloth-90-percent-1m-x-2m", "price": 19.99, "currency": "EUR", "availability": "in_stock", "category": "upholstery-fabrics", "category_label": "Upholstery Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "260 g", "images": [ "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-shade-cloth-90-percent-1m-x-2m/main-black-shade-cloth-90-percent-1m-x-2m.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-shade-cloth-90-percent-1m-x-2m/black-shade-cloth-90-percent-1m-x-2m-2.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-shade-cloth-90-percent-1m-x-2m/black-shade-cloth-90-percent-1m-x-2m-3.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-shade-cloth-90-percent-1m-x-2m/black-shade-cloth-90-percent-1m-x-2m-4.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-shade-cloth-90-percent-1m-x-2m/black-shade-cloth-90-percent-1m-x-2m-5.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-shade-cloth-90-percent-1m-x-2m/black-shade-cloth-90-percent-1m-x-2m-6.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-shade-cloth-90-percent-1m-x-2m/black-shade-cloth-90-percent-1m-x-2m-7.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-shade-cloth-90-percent-1m-x-2m/black-shade-cloth-90-percent-1m-x-2m-8.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/black-shade-cloth-90-percent-1m-x-2m/black-shade-cloth-90-percent-1m-x-2m-9.jpg" ], "description_short": "This 1 m x 2 m panel combines 90% shading with grommets for tie-on hanging.", "description": "A sunny corner can be pleasant early in the day, then become too bright for the way you want to use it. A small seating spot, a group of pots or part of a greenhouse may need shade without needing a cover across the whole garden.\n\nThis shade cloth is one finished panel measuring 1 metre by 2 metres. It has a stated 90% shading rate and grommets for tie-on hanging. Those details make it worth considering for a small, measured project. The important part is matching its size and shade level to your space, rather than choosing by percentage alone.\n\nStart with the area you want to shade\n\nBefore looking at fixings, decide what needs cover. Is it a chair beside a wall, a shelf of plants or one section of a greenhouse? A clear purpose makes the size decision much easier.\n\nMeasure the area at the time of day when unwanted sunlight is the main problem. The sun moves, so shade cast in the morning will not fall in the same place later. A panel positioned directly above a chair may not screen low afternoon sun from the side.\n\nA 1 m x 2 m shade cloth is a limited-size panel. It may suit a focused spot, but it should not be expected to cover a large patio. Marking its outline with a tape measure can help you picture the size before ordering.\n\nAlso look beyond the area being shaded. You need suitable places to attach the panel, and those may sit outside the space you want to cover.\n\nUnderstand the 90% shading figure\n\nThe stated shading rate is 90%. That makes this a dense shading option, rather than a light screen intended to preserve most of the direct sunlight.\n\nThe figure is useful when comparing shade fabrics, but it does not answer every question. It does not give a measured drop in temperature, a wind rating or a certified level of personal UV protection. None of those figures is supplied in the maker's description.\n\nThink about how the space should feel once shaded. More shading is not always a better choice, especially where plants need strong light to grow well.\n\nIf you are replacing an existing panel, compare its stated shade level as well as its dimensions.\n\nWhat the mesh and eyelets do\n\nThe specifications list polyethylene, often shortened to PE. The panel is described as woven mesh, with aluminium eyelets spaced every metre. The exact number of eyelets is not stated.\n\nThose eyelets provide points for a tie-on hanging arrangement. They help you plan where the panel can connect to suitable supports, but they do not tell you what loads the whole installation can carry. The maker gives no tested load or wind limits.\n\nThe maker's description also does not confirm whether ropes, ties or other fixing hardware are included. Check that point before setting aside time to put it up. It is easier to plan a patio shade panel when you know which parts you still need.\n\nAvoid assuming that a familiar-looking fixing will suit every wall, fence or frame. The support, fixing and panel all need to be considered together.\n\nMeasure for the panel, not just the gap\n\nThe supplied size is 1 m x 2 m.\n\nMeasure the gap between your intended supports, then consider the room needed for the ties. A panel that matches the gap exactly may leave no practical space for its attachment arrangement.\n\nA simple sketch can help. Note which edge will run along each support and where you expect the shade to fall. If the shape of the space is awkward, do not assume you can solve it by cutting the panel. No cutting or edge-finishing instructions are supplied.\n\nThis matters for returns too. Cutting the fabric takes it outside the stated change-of-mind return conditions. Confirm the fit before altering or installing it.\n\nUsing shade cloth around plants\n\nA greenhouse shading net can be useful when a growing area receives more direct light than the plants need. The right shade level, however, depends on what you are growing and the conditions in that space.\n\nThis panel has a high stated shading rate. Before using it above seedlings, vegetables or established pots, check their light requirements. A plant that prefers bright conditions may not suit the same cover as one that needs a sheltered position.\n\nDo not assume that adding mesh replaces the need to check ventilation, watering or temperature. Shading is only one part of managing a growing area.\n\nFor a mixed group of plants, consider whether they should all sit beneath the same cover. Moving the plants into separate areas may give you more control than putting a dense shade panel over everything.\n\nChoosing a position for a patio or garden\n\nGarden and patio shading are stated uses for this product. For a small seating area, start by watching where the sun causes discomfort. It may come from overhead, from one side or through a gap between existing structures.\n\nThe panel's orientation matters as much as its footprint. A hanging shade fabric placed to screen one direction will behave differently from a small shade canopy above a seat.\n\nKeep expectations clear. This is shade mesh, not a permanent roof. It is not described as a structural barrier, and no information is supplied to support using it as one.\n\nIf privacy is part of your plan, remember that mesh visibility changes with lighting and viewing angle. The description mentions privacy, but there is no measured opacity rating or promise of a fully screened space.\n\nSeparate shade from rain and wind protection\n\nThe panel is listed as water resistant. That wording does not mean waterproof, and it should not be relied on to keep a chair, table or electrical item dry.\n\nLikewise, a reference to UV resistance does not establish a tested sun-protection rating for people beneath it. Keep your usual personal sun precautions rather than relying on the panel alone.\n\nNo wind rating is stated. An outdoor installation needs care because both the fabric and its supports are exposed to changing weather. Follow any supplied instructions, and do not assume it is suitable for strong winds or year-round use in an exposed position.\n\nIf your main need is reliable rain cover or a rated permanent shelter, look for a product with specifications that directly address those needs.\n\nCheck the details that are not stated\n\nSome buying decisions depend on information that is not available here. Fabric thickness, a tested UV protection rating and expected service life are not specified.\n\nThe item weight is listed as 260 g. There is also a separate unit-count entry expressed in grams, but it is not identified as grams per square metre. It should not be used to compare fabric density.\n\nThe maker's description identifies black mesh, while the structured colour field is blank. If exact colour matters for a visible installation, confirm it before ordering.\n\nThese gaps do not need guesswork. Ask about any missing detail that would change your decision, especially if you have a particular mounting method or performance requirement in mind.\n\nCare for the panel without overdoing it\n\nFor routine care, start gently. Brush away loose dirt with a soft brush. If further cleaning is needed, mild soap and water are a sensible starting point, subject to any instructions supplied with the product.\n\nAvoid abrasive scrubbing and harsh cleaners. Do not machine wash unless the supplied care guidance permits it. Let the panel dry fully before folding it for storage.\n\nBefore hanging it again, inspect the mesh, eyelets and ties. Look at the supports too. A sound panel cannot make an unsuitable attachment point suitable.\n\nThere is no stated maintenance schedule, so base your checks on use and exposure. Inspect it after taking it down and before the next installation rather than packing it away without a look.\n\nCheck fit before committing to use\n\nWhen the panel arrives, check the size and condition before washing, cutting or installing it. Keep the original packaging while you decide whether it suits your plan.\n\nFor this Ireland store, change-of-mind returns are accepted within 14 days from delivery when the fabric is unwashed, uncut, unused and in its original packaging. The customer pays return postage.\n\nFaulty or wrongly described goods are put right free of charge. Delivery timing is not stated by the maker, so check the information at checkout if your project depends on a particular date.\n\nThe short version\n\nChoose this panel if you need one 1 m x 2 m shade cloth with grommets and a stated 90% shading rate. Its listed uses include garden, patio and greenhouse shading.\n\nMeasure first, check your supports and make sure dense shading suits the space. Treat water resistance and UV resistance as limited descriptions, not promises of a waterproof roof or certified sun protection. Those checks will help you decide whether this small panel fits the job you actually need it to do.", "llm_summary": "This product is one shade cloth panel with grommets, measuring 1 metre by 2 metres, with a stated shading rate of 90%. The supplied specifications list polyethylene (PE), an item weight of 260 g, and hanging installation using ties. Aluminium eyelets are described as spaced every metre. Suggested settings include gardens, patios, backyards and greenhouses. The maker describes the panel as water resistant and UV resistant, but a tested UV protection rating and wind rating are not specified by the maker. Included fixing hardware and delivery timing are not specified. Returns are allowed within 14 days from delivery when unwashed, uncut, unused and in original packaging.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/black-shade-cloth-90-percent-1m-x-2m/", "canonical_url": "https://fabricshop.irish/black-shade-cloth-90-percent-1m-x-2m/", "json_url": "https://fabricshop.irish/api/products/black-shade-cloth-90-percent-1m-x-2m.json", "updated_at": "2026-11-13" }, { "id": "charcoal-dust-cover-fabric-5-yards", "sku": "charcoal-dust-cover-fabric-5-yards", "title": "Charcoal Dust Cover Fabric, 5 Yards", "slug": "charcoal-dust-cover-fabric-5-yards", "price": 29.99, "currency": "EUR", "availability": "in_stock", "category": "upholstery-fabrics", "category_label": "Upholstery Fabrics", "tags": [], "colors": [], "materials": [], "dimensions": null, "weight": "200 g", "images": [ "https://fabricshop.irish/dropship-images/upholstery-fabrics/charcoal-dust-cover-fabric-5-yards/main-charcoal-dust-cover-fabric-5-yards.jpg", "https://fabricshop.irish/dropship-images/upholstery-fabrics/charcoal-dust-cover-fabric-5-yards/charcoal-dust-cover-fabric-5-yards-3.jpg" ], "description_short": "A single piece measuring 91 cm wide and 5 yards long helps conceal webbing and springs beneath upholstered furniture.", "description": "A torn cover beneath a chair or sofa can make sound furniture look neglected. You may notice loose fabric hanging near the legs, or see webbing and springs when you move the piece. The visible upholstery can still be in good shape, even though the underside needs attention.\n\nDust cover fabric is made for this less visible part of a furniture repair. It covers internal components and helps protect the underside from dust. Before buying, the main questions are simple. Does the piece fit, is the furniture itself sound, and are the fabric details suitable for your project?\n\nWhat an underside cover actually does\n\nAn upholstery dust cover sits beneath the furniture. Its job is different from the fabric you sit on. It provides a finishing layer that hides webbing, springs and the space inside the upholstered frame.\n\nThat distinction matters when deciding what needs repair. A new covering can tidy an exposed underside, but it cannot correct a sagging seat or a broken frame. If the furniture feels unstable, makes unfamiliar noises or has damaged supports, look into those problems before closing the underside.\n\nThink of the cover as the final stage of the job. First check the structure and internal parts. Once any necessary repairs are complete, the covering can help leave the underside looking neat again.\n\nWhat comes in this piece\n\nThis is one piece of fabric measuring 91 cm (36 in) wide and 5 yards (4.57 m) long. It is supplied in that fixed size. There is no custom cutting service attached to this product.\n\nThe width deserves as much attention as the length. A long piece is not automatically suitable for a wide furniture base. If your required panel is wider than 91 cm after allowing for attachment, you will need to reconsider the layout or choose another size.\n\nThe listed weight is 200 g. Avoid using it to judge strength or compare technical performance with another fabric.\n\nCheck the details that matter to you\n\nThe maker contains conflicting material information. Polypropylene appears in one part, while acrylic appears elsewhere. An exact composition cannot be confirmed from those entries.\n\nColour information also differs. The product is described as charcoal, but a separate field says Multicolour. For an underside repair, colour may be less important than it would be for a visible seat cover. Even so, a buyer who needs a specific shade should ask for confirmation rather than rely on the product name alone.\n\nThese gaps are worth resolving before purchase if your project has strict requirements. Thickness, fire rating and country of origin are not specified. Nothing in the maker's description should be taken as proof that the fabric meets a particular furniture standard.\n\nWho this fabric may suit\n\nThis type of chair underlining fabric is relevant when the existing cover is torn, missing or hanging loose, while the furniture beneath it remains serviceable. It can also be considered as the finishing layer after other upholstery work.\n\nFor a home repair, start by looking at the original construction. Is the underside a simple panel attached around a frame, or does it have openings and fittings that complicate the job? A straightforward shape is easier to measure than a base with several sections.\n\nIf you are repairing furniture for someone else, agree on the required finish and material before ordering. A hidden layer still needs to suit the task. Where a project has formal safety or performance requirements, seek documented specifications rather than making assumptions.\n\nMeasure the underside, not the seat\n\nThe dimensions of the seat cushion do not tell you the size of the underside cover. Turn your attention to the area where the replacement fabric will actually sit, including the frame edges used for attachment.\n\nMeasure both directions at more than one point if the shape is uneven. Then account for the material needed at each edge. That allowance depends on the furniture and fitting method, so there is no single extra amount that works for every chair or sofa.\n\nWrite the measurements down before shopping. For a replacement sofa bottom cloth, compare the whole required panel with the available 91 cm width. Do not count on stretching the fabric to make an undersized piece fit.\n\nIf the furniture is heavy or awkward, get help positioning it safely. Avoid resting it on parts that could be damaged, and take care around exposed fasteners.\n\nPlan your cutting layout first\n\nWhen several chairs need new covers, it is tempting to judge quantity by eye. A paper layout is more reliable. Draw a rectangle representing the supplied piece, then mark each required panel inside it.\n\nInclude your attachment allowances in every panel. Leave room for any shape adjustments you have identified during measurement. Several pieces may fit along the length, but their widths still need to work within the fabric's width.\n\nDo not assume this piece will cover a particular number of chairs. Chair bases vary, and awkward shapes can leave unused sections between panels. Planning helps you see those limits before you make an irreversible cut.\n\nFor a single larger item, check whether you can make the required cover as one panel. If not, get advice on a suitable alternative rather than assuming a join will work for your furniture.\n\nInspect before fitting\n\nOpen the packaging carefully and check the fabric before cutting or washing it. Confirm that the supplied piece and its appearance match what you expected. Keep the packaging while you assess it.\n\nThis is especially important here because of the conflicting colour and material entries. If the fabric does not meet your requirements, pause and ask us for help. Cutting first makes it harder to resolve a simple suitability issue under the stated return conditions.\n\nNext, inspect the furniture underside. Look for loose fixings, damaged frame edges or parts that may need professional attention. A fresh cover should not hide a problem that still needs repair.\n\nFit it to the furniture's construction\n\nThe right attachment method depends on the frame, the existing fixings and access to the underside. Tools and fasteners are not listed as included, so assess what the job needs separately.\n\nIf you remove an old furniture dust cover, work carefully around its fixings. Avoid pulling hard on fabric that is still attached. Exposed fasteners can be sharp, and careless removal may damage the frame surface you need for the new cover.\n\nAim for a tidy covering without using it to pull damaged parts into place. Keep clear of moving mechanisms and any areas that need access. If you cannot tell where attachment is safe, an upholsterer can assess the construction before you proceed.\n\nThere is no need to turn a modest finishing job into a larger repair through guesswork. Knowing when to ask for help is part of a good result.\n\nCare after the repair\n\nWashing instructions are not given by the maker, so do not assume this fabric can go through a washing machine or dryer. The maker's description also does not establish outdoor suitability or resistance to damp conditions.\n\nFor ordinary care, remove loose surface dust gently. Avoid pulling at the fabric while cleaning around furniture legs or the underside edge. If you notice a section coming loose, check the attachment rather than continuing to tug or brush over it.\n\nStore leftover upholstery finishing fabric somewhere clean and dry. Keep a note of its dimensions so you know whether it could suit a later repair. Do not assume a small offcut will be large enough until you measure the next job.\n\nDelivery, returns and your repair schedule\n\nA confirmed delivery lead time is not provided by the maker. Check the delivery information when ordering, especially if you have arranged help or booked time to complete the repair. It is sensible to have the fabric in hand and checked before taking furniture apart.\n\nFor the Ireland store, the stated return period is 14 days from delivery. Change-of-mind returns require the fabric to be unwashed, uncut, unused and in its original packaging. The customer pays return postage.\n\nFaulty or wrongly described goods are put right free of charge. If there is a problem, contact us before making changes to the fabric. Clear measurements and a check on arrival can help separate a sizing issue from a product-description issue.\n\nThe short version\n\nThis dust cover replacement is a fixed piece, 91 cm wide and 5 yards long, intended to conceal webbing and springs beneath upholstered furniture. It is a finishing cover, not a structural repair.\n\nMeasure the underside carefully, plan your layout and confirm any material or colour requirements before ordering. Inspect the fabric before cutting, then fit it using a method suited to your furniture. Those checks give a simple repair a much better chance of going to plan.", "llm_summary": "This upholstery dust cover fabric is supplied as one piece measuring 91 cm (36 in) wide and 5 yards (4.57 m) long. It is intended for the underside of upholstered furniture, where it conceals webbing and springs and helps protect against dust. The listed weight is 200 g. It is described as charcoal, although the maker colour field says Multicolour. Material information is inconsistent, with polypropylene and acrylic both appearing in the maker's description. Exact composition is not confirmed. Country of origin, thickness, washing instructions and warranty terms are not specified by the maker. This is a fixed-size Check furniture measurements and any material requirements before purchase.", "returnable": true, "return_policy": "14-day cancellation right for distance sales (Consumer Rights Act 2022), goods in original condition, buyer pays return postage; Consumer Rights Act 2022 and the EU Sale of Goods Directive 2019/771 for faulty goods. Return postage on faulty goods is ours.", "shipping_profile": "standard", "warranty": null, "brand": "Fabric Shop Company", "gtin": null, "mpn": null, "condition": "new", "url": "https://fabricshop.irish/charcoal-dust-cover-fabric-5-yards/", "canonical_url": "https://fabricshop.irish/charcoal-dust-cover-fabric-5-yards/", "json_url": "https://fabricshop.irish/api/products/charcoal-dust-cover-fabric-5-yards.json", "updated_at": "2026-11-13" } ] }